Luis López Carrasco

Em 1992, Cartagena, as Olimpíadas apresentaram a Espanha como uma nova democracia emergente.

Em 1992, Cartagena, as Olimpíadas apresentaram a Espanha como uma nova democracia emergente.

Um estrangeiro é um estrangeiro, um pária e, na cultura popular, um habitante de outro planeta. Tesa Arranz, figura-chave na década de 1980 do madrilão e cantora principal dos zombis, pintou mais de 700 retratos de criaturas do espaço exterior. Enfrentando as pinturas do cantor com as lembranças de sua juventude, seus poemas e diários, Aliens retrata a paisagem emocional, na história espanhola, onde a felicidade, as experiências de pesadelo e a alienação caminharam lado a lado.

Um estrangeiro é um estrangeiro, um pária e, na cultura popular, um habitante de outro planeta. Tesa Arranz, figura-chave na década de 1980 do madrilão e cantora principal dos zombis, pintou mais de 700 retratos de criaturas do espaço exterior. Enfrentando as pinturas do cantor com as lembranças de sua juventude, seus poemas e diários, Aliens retrata a paisagem emocional, na história espanhola, onde a felicidade, as experiências de pesadelo e a alienação caminharam lado a lado.

Hadji, a young man living humbly on the banks of the Ganges River and in desperate straits after losing all his possessions, is accepted as a disciple by a mysterious spiritual guide.

It is the year 2052, on Earth, in Spain, and the final days of almost everything. The city is a string of abandoned construction sites. Everyday there are fewer people and not all of them are human. A sheep costs four and a half million pesetas and you have to spend a lot of bullets to pay for one.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

As they travel through the Isle of Bioko, Antonia tells Pilar stories related to the Spanish colonial past. Carlos spends a hot summer afternoon in 2011 with his family. José and Diana talk about the future.

Tourist Route, Madrid.

"When they arrive, they didn't want to leave"

MATERIAL 1. adj. Having substance or capable of being treated as fact; not imaginary. 2. adj. Derived from or composed of matter. 3. adj. Having material or physical form or substance. 4. adj. Directly relevant to a matter especially a law case. 5. adj. Concerned with or affecting physical as distinct from intellectual or psychological well-being. 6. adj. Concerned with worldly rather than spiritual interests. 7. n. Artifact made by weaving or felting or knitting or crocheting natural or synthetic fibers. 8. n. Things needed for doing or making something. 9. n. Information (data or ideas or observations) that can be used or reworked into a finished form. 10. n. The tangible substance that goes into the makeup of a physical object.

1. n. A travelling company of enterteniers such as acrobats, clowns, trapeze artistes, and trained animals. 2. n. A public performance given such a company. 3. n. An oval or circular arena, usuallytented and surrounded by tiers of seats, in which such a performances is held. 4. n. A travlling group of prefessional sportsmen.

Summer afternoon.

Four iconic sequences in the history of Spanish cinema are aesthetically revisited. A strictly geographical search that places the camera in the very same spots where the shots of the original films were taken. No lighting. No audio edition. No actors. Just whatever there is fron of the camera.

An unfinished canvas apparently painted by Antonio López resists (does it?) the charges of weather and nature during a whole week. This week is shown four times from four different audiovisual perspectives which try to analyze the relationship between film author and landscape representation.