René Schoenenberger

Mid-fifties Anne Marie Fuchs lives modestly and withdrawn in Düsseldorf. When a murder happens, it becomes clear that the inconspicuous lady, who is always in short supply, seems to be an absolute investigator with a razor-sharp mind. No wonder, because Anne Marie Fuchs is a former East German spy, especially one who still has a bill from her active time open.

In 2012 German Bundespraesident Christian Wulff declares his resignation in the great hall of Bellevue Palace. At the side of his wife, he had to face the pressure of the media for 68 days while struggling for office of head of state of the Federal Republic of Germany.

For decades, "Soups Hansen" was on everyone's lips, but now threatens the old-established operation of the end. The reasons for the decline are homemade: in modern times the tastes have changed, the soup of the idiosyncratic manufacturer unfortunately not. The bank wants to save the traditional house, but the new loan is subject to one condition: company boss Theo Hansen must hand over the business to his son, who now cooks his own soup ... Edzard Onneken staged this comedy with Günther Maria Halmer in the role of aging patriarch who can not let go.

Experience an alternative take on attraction with Boys On Film. Bad Romance explores the darker side with a collection of edgy and sexy short films, including: Alain Hain's "Curious Thing" starring Danny Bernardy and Matthew Wilkas; Christoph Scheermann's "Cake and Sand" starring Bartholomew Sammut and Jan Andreesen; Michael Rozanov's "Watch Over Me" starring Guy Kapulnik and Davidi Hoffman; Joachim Back's "The New Tenants" starring David Rakoff and Jamie Harrold; Kim Jho Gwang-soo's "Just Friends?" starring Lee Je-hoon and Yeon Woo-jin; Étienne Desrosiers's "Mirrors" starring Xavier Dolan, Stéphane Demers, and Julie Beauchemin; Christopher Banks's "Communication" starring Rudi Vodanovich and Alexander Campbell; Tomer Velkoff's "The Traitor" co-starring Shmulik Goldstein; Christopher Radcliff and Lauren Wolkstein's "The Strange Ones" starring David Call, Tobias Campbell, and Merritt Wever; and Tamer Ruggli's "Cappuccino" starring Benjamin Décosterd and Manuela Biedermann.

Despite his marginal and extrovert looks, Jérémie is a shy teenager who keeps a heavy secret: his homosexuality. While trying to find his way between his classmate and sexual fantasy Damien and his very generous but protective mother Gina, his life is about to change.

Anouk, a woman in her late 30s, a copywriter from Stuttgart and who has traveled the world, bumps into Heiner, an architect, who is in his mid-40s, in Berlin. The two meet in spontaneous longing for a different, a new life.

Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in "Saturn Returns", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

It's the roaring twenties in Berlin. The Tigress, a gorgeous, wild, and very independent street walker, falls for a handsome grifter. When one of her lovers gets jealous, she betrays him and has to skip town. The grifter reveals he has what it takes to move in upper class circles and suggests they flee to Carlsbad, a spa in Czechoslovakia. Does he love her or is he only using her? Is the Tigress madly in love with him or does she want to satisfy her vanity and drop him once he falls for her? The ancient cat and mouse game between a man and a woman unfolds amidst sensual seduction, the scheme of robbing a rich Texan and the jilted lover arriving from Berlin, gun drawn.

Directed by Christoph Schaub

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

A young Russian man arrives in Berlin in search of a woman, but becomes entangled with two others one of whom falls in love with him and another who represents a classic Russian heroine like out of a novel from one of his countrymen idols.

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

"Desire Caught by the Tail" - One can not understand this piece as meaningful and meaningful unity and should be careful not to read too much into it. Picasso himself said he wanted to suggest sensations through the verbal sound itself.

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“

A romance directed by Franz Josef Gottlieb. It follows "The Perfect Marriage".

German sex comedy