KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man (Axel Prahl), who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...
It could be as simple as this: He is Death and a young woman is on his list. With polite words, he tries to convey the ominous message gently to Jela Becker. But the vivacious young lady never dreamed of surrendering to death without protest. how could she She's only 31! Her husband and nine-year-old daughter Lucy need her. Death hesitates for just a moment - enough time for Jela to flee...
Berlin sometime in the near future: Due to the demographic change, more and more old people are walking confused through the city. In order to avoid accidents and to protect the elderly, there are special task forces that pick up the pensioners and bring them back to the homes. The entrepreneur Sebastian von Werding recognized the potential of customers and developed a new business model.
On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?
