László Lugossy

Filmes

Flowers of Reverie
Editor
The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.
Flowers of Reverie
Writer
The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.
Flowers of Reverie
Director
The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.
We're Getting Along
Director
More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences.
Identification
Director
While awaiting his release from the Soviet detention camp he is being held in, a half-starved refugee (Andras Ambrus) finds that an error has been made and his name is not on the to-be-released list. It is then that he is forced to assume the identity of a dead man whose name is on the list. Ambrus at first refuses, but because he was an orphan and cannot produce evidence of his true identity, he has no other choice. However, when he returns to the outer world and the community he was raised in, he is greeted with suspicion. When he tries to claim his part-ownership of a farm from his adopted uncle, he is refused and beaten by farmhands the uncle sets on him.
A Hetedik napon
Director of Photography
A young priest visits a barber's shop to get shaved. When he leans back and closes his eyes, the barbers decide to play a prank on him. Instead of a male barber they let a female hairdresser take care of the shaving. When the priest feels her soft fingers on his skin, he opens his eyes and sees the woman. He cannot do anything but stay in the chair, as he has shaving cream all around his chin. The woman continues the shaving in a rather sensual way. When the priest leaves the barber's shop, he looks disconcerted.