Editor
Marie, thirty-five, is in love. Every day she fights for her relationship with Paul, a long-term prisoner, to live within her. An exclusive relationship that nothing should disturb and that it protects from the gaze of others.
Editor
Halvard Sanz believes in the principle according to which we always meet people who really interest us twice. It’s written in the tables of how the world works, right next to the law of series and the constant speed of light. Halvard therefore believes that he’ll be able to find Pollux again. She’s the woman of his dreams, but he didn’t get the time to tell her so. Dizzy as a bee, he’ll charge head first into the plate glass window of life.
Assistant Editor
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
