Matthias Münster

In autumn of 1921, the AVUS, the ‘Automobil-Verkehrs- und Übungsstraße’ (The automobile traffic and training road), was inaugurated in the southwest of Berlin with a car race. The two long straights, each ten kilometres long, were connected by two turns: It was a high-speed track which was meant to expedite the development of the automobile in Germany. The Documentary explores the moving story of the first cars-only road in the world.

Docudrama telling the story of a building with a breath taking career that began in the empire, flourished in the Weimar Republic, perished in the Nazi dictatorship, and was rebuilt after its partial destruction.

With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.

Because of a bet, Werner and his friend have to construct the fastest vehicle to win a race, because life depends on it.

Um agrimensor é chamado para trabalhar em um castelo da aldeia. Ao chegar, descobre que aparentemente ninguém o espera. Suas tentativas de provar sua integridade são recebidas com um muro de pedra de incompreensão, o que só aumenta seu desejo de entrar no misterioso castelo.