Director of Photography
Liv Sandor, 38, following an argument with her boyfriend, sets off to wander the city, observing passers-by and reminiscing about her past loves. In all her relationships, there was always a turning point, when things started going downhill. On the streets of Zurich Liv faces her fears, joys and demons. In her third feature film, Swiss director Anna Luif tells the tragi-comical trajectory of an independent woman who learns to love on life’s emotional rollercoaster. A rhythmic, colourful, collage-like journey into the mind and soul of modern women.
Cinematography
Cinematography
Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.
Director of Photography
When Chuon Sam Vong came to Germany in 1980, he did not yet know how much he would miss his homeland. He flees from what was then South Vietnam from the communists and is rescued by the German rescue ship "Cap Anamur". More than 30 years later, he has built a new life for himself in Germany. A fragment and a short journey into the collective trauma of the “boat people” generation in Germany.
Cinematography
Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually agressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realising that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won’t be the last time she rushes to Margarete’s aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete ‘Vanilla’, she begins to steer her life in a completely different direction.
Cinematography
"Frontalwatte" is like running against a hard wall and falling down softly. Franz, Adrian and Anastasia stumble through a pointless world. They kill time by viewing apartments, jaw operations, incest and poetry slams. Their search for identity becomes a search for the best fitting role.
Director of Photography
Clemens trabalha como massagista, Lara como cozinheira, mas sua clientela é a mesma: os hóspedes de um hotel de luxo. À medida que faíscas começam a surgir entre os dois, a sensibilidade dele se choca com o temperamento ardente dela – os opostos se atraem, mas a harmonia não está à vista.
Writer
Clemens trabalha como massagista, Lara como cozinheira, mas sua clientela é a mesma: os hóspedes de um hotel de luxo. À medida que faíscas começam a surgir entre os dois, a sensibilidade dele se choca com o temperamento ardente dela – os opostos se atraem, mas a harmonia não está à vista.
