Marta Kadlečíková

Nascimento : 1935-08-05, Praha, Československo

Morte : 1996-08-02

Filmes

Nedosněné sny
Screenplay
Extended Time
Screenstory
Night Riders
Writer
Two men of principle face each other. One is backed by a whole, however poor village, the other by the law. It is a conflict that reaches it's climax in the closing shoot-out. Instead of the Wild West, the gunshots go off on the Slovak-Polish border. Michal Docolomansky as the horse smuggler and Radoslav Brzobohaty as the customs officer from Prague meet in Holly's Night Riders in a western-like confrontation set in the insecure years of the newly founded Czechoslovak Republic.
The Ninth Heart
Courtier
Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.
Světlo bezesných nocí
Screenplay
Život není sen, moje milá
Screenplay
Slůně
Costume Design
Slůně
Screenplay
Slůně
Story
Medvěd pro hosta
Costume Design
Z lékárníkova deníku
Screenplay
Z lékárníkova deníku
Story
Almara
Screenplay
Os Mártires do Amor
Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.
Ceiling
The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.