郭柯

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Ai Weiwei’s Appeal ¥15,220,910.50 opens with Ai Weiwei’s mother at the Venice Biennial in the summer of 2013 examining Ai’s large S.A.C.R.E.D. installation portraying his 81 day imprisonment. The documentary goes onto chronologically reconstruct the events that occurred from the time he was arrested at the Beijing airport in April 2011 to his final court appeal in September 2012. The film portrays the day-to-day activity surrounding Ai Weiwei, his family and his associates ranging from consistent visits by the authorities, interviews with reporters, support and donations from fans, and court dates. The Film premiered at the International Film Festival Rotterdam on January 23, 2014.

December 1944, 24-year-old Wei Shaolan and her 1-year-old daughter were seized and sent to a Japanese camp, where Wei was forced to work as a 'comfort woman' -- a woman forced into prostitution for Japanese servicemen during World War II. Despite being physically and mentally abused, Wei unbelievably escaped the heavily guarded 'Comfort Station' pregnant, shamed, and unsure of what fate awaited her return home. This documentary presents the true legendary story of Wei Shaolan and follows her traumatic and courageous journey from forced prostitution to life today with her Japanese son. 'Real Heroes' are people who can face life bravely even after a tormented life, and Wei's story offers inspiration to those faced with seemingly hopeless adversity.

December 1944, 24-year-old Wei Shaolan and her 1-year-old daughter were seized and sent to a Japanese camp, where Wei was forced to work as a 'comfort woman' -- a woman forced into prostitution for Japanese servicemen during World War II. Despite being physically and mentally abused, Wei unbelievably escaped the heavily guarded 'Comfort Station' pregnant, shamed, and unsure of what fate awaited her return home. This documentary presents the true legendary story of Wei Shaolan and follows her traumatic and courageous journey from forced prostitution to life today with her Japanese son. 'Real Heroes' are people who can face life bravely even after a tormented life, and Wei's story offers inspiration to those faced with seemingly hopeless adversity.

A short documentary about the making of "Straight" and "Forge" (2008-2012).

Early in 2008, the district government of Jiading, Shanghai invited Ai Weiwei to build a studio in Malu Township, as a part of the local government's efforts in developing its cultural assets. By August 2010, the Ai Weiwei Shanghai Studio completed all of its construction work. In October 2010, the Shanghai government declared the Ai Weiwei Shanghai Studio an illegal construction, and was subjected to demolition.

As a sequel to Ai Weiwei’s film "Disturbing the Peace," the film "So Sorry" (named after the artist’s 2009 exhibition in Munich, Germany) shows the beginnings of the tension between Ai Weiwei and the Chinese Government. In "So Sorry," you see the investigation led by Ai Weiwei studio to identify the students who died during the Sichuan earthquake as a result of corruption and poor building constructions leading to the confrontation between Ai Weiwei and the Chengdu police. After being beaten by the police, Ai Weiwei traveled to Munich, Germany to prepare his exhibition at the museum, Haus der Kunst. The result of his beating led to intense headaches caused by a brain hemorrhage and was treated by emergency surgery. These events mark the beginning of Ai Weiwei’s struggle and surveillance at the hands of the state police.

The documentary depicts a complete picture of a chain in the cat-trading industry. Since the end of 2009 when the government began soliciting expert opinion for the Animal Protection Act, the focus of public debate has always been on whether one should be eating cats or not, or whether cat-eating is a Chinese tradition or not, there are even people who would go as far as to say that the call to stop eating cat meat is "imposing the will of the minority on the majority". Yet the "majority" does not understand the complete truth of cat-meat trading chains: cat theft, cat trafficking, killing cats, selling cats, and eating cats.