Mykola Shutko

Mykola Shutko

Nascimento : 1927-12-19, Krivoy Rog, Ukrainian SSR, USSR [now Kryvyi Ryh, Ukraine]

Morte : 2010-01-04

Perfil

Mykola Shutko

Filmes

Murder in Winter Yalta
The public prosecution office of Yalta gets the next scheduled case about the murder in the business-circles. This time the victim is an accountant of one of the big businesses. The investigators set out a lot of leads. But the sphere of the alleged criminals is too wide, and the key will be very uncommon and exticiting.
Air pirates
The chief of the airline agency gives the command to the special team not to drink, not to stand in the drafts and not to have contact with the girls, as these guys will have to hijack their own plane ... In order to identify weaknesses in the aviation services. During its implementation, our heroes are faced with real terrorists - this was not taken into account.
Collapse
1986, Chernobyl disaster. Couples, friends, and a risk-taking journalist are woven into the larger framework of the disaster. Panic follows.
Прелюдія долі
Felicidade Roubada
Baseado na obra-prima dramática homônima de 1893 do ucraniano Ivan Franko [Іван Франко]; uma fábula dos Cárpatos filmada no legado de "Sombra dos ancestrais esquecidos/ Cavalos de fogo [Тіні забутих предків]" de Paradjanov [Параджа́нов].
Дождь в чужом городе
Дипломаты поневоле
Eles Lutaram pela Pátria
cook lisichenko
Durante a Segunda Guerra Mundial, a retaguarda russa protege um ponte contra o exército alemão. Enquanto o exército volta para a Rússia os soldados mostram seu companheirismo e sentimentos para defender a pátria.
Goodbye Pharaohs!
A bunch of countryside people decide to exchange roles between men and women.
Фараони
The First Lad
A gem from Paradjanov's early oeuvre is a musical agitation film or a romantic comedy, made by the young director under the guidance of Alexander Dovzhenko and set in the immense fields of the collectivised Ukraine. The social realism is replaced by colourful, convivial and dancing shots of the “Pabieda” (Victory) kolkhoz, where peasant women sing in the fields, and boys march with banners glorifying revolution. Against this backdrop, intense romantic feelings have reached a climactic stage; tailor Sidor Sidorovich, farmer Jushka and soldier Danila Petrovich all dote on the fair-haired Odarka. It is Jushka and Danila who engage in overt hostility; the initial “gentlemen’s” contest turns into an outright confrontation, resulting in miserable Jushka being increasingly more desperate and scorned by the villagers.