Pablo Gómez-Pando

A portrait of the myth of maternity around the story of Pepa and her daughter, who are evicted from their home and forced to wander for a place to live with no support network.

Um homem desencadeia uma vingança sangrenta no bairro de Las 3.000 Viviendas em Sevilha quando sua filha morre em um acidente suspeito.

Violeta is in her early twenties and is doomed to spend the summer in Madrid doing an internship in a publishing house. During those weeks, she will make new friends, and she will make decisions, some good, some bad. And, above all, she will learn that failure is more an art than a tragedy.

Adrian is a young poet who decides to leave Romania and go live to Spain. He wants to change his life, earn some money and learn Spanish. Upon arriving in Cordoba, he works at a car dealership that sells both old and new cars. During the day he hides in a small caravan in the parking lot of the car dealership. One day, Adrian finds a package with a CD and poster for a tour of one flamenco / jazz band. He is enchanted by the music and by the picture of Maria, who plays a bass guitar in the band. They both meet after a concert on the beach, where they begin their relationship full of passion, problems and surprises.

Germán (Julián Villagrán) é um executivo de uma importante empresa de seguro de vida ocupado demais com o trabalho para dar atenção a sua família amorosa. Quando, na noite do aniversário de sua filha pequena, ele tenta dirigir para casa exausto de tanto trabalhar, um acidente transforma aquela noite em um terrível pesadelo.

Tadeo Stones é um pedreiro muito aventureiro e aspirante a arqueólogo. Ao descobrir que o colar do rei Midas, que transformava tudo que tocava em ouro, existiu de verdade sai rumo a Los Angeles com seus amigos – Sara Lavrof, o cão Jeff e sua velha amiga Múmia. Mas um problema surge quando Sara desaparece misteriosamente.

During Holy Week of 59 in the tragicomic social landscape of Franco's Spain, takes place the sentimental chronicle of a nine years old boy: Pablito. Pablito wants the pedal car he sees in a shop near his home. His family -middle class with bad luck - silently suffers the pressure of the other part of the family- middle class with good luck and best influences. The desire of the car and the hope to get it encourage his parents to take the child, piggy bank in hand, through a strange journey to the colorful and surprisingly familiar world full of lies and blackmail. Pablito emotionally survives in that environment thanks to his ability to get from his imagination the answers that parents and teachers do not give him. And that way, Pablito will create his own happy ending.