Heini Mäntylä

Filmes

Just Animals
Cinematography
Activists have been fighting for animal rights for decades. Will they succeed in winning the battle against meat production or will the food industry be unstoppable? The film depicts the structural nature of the animal industry and the systematic abuse of power through three central characters. They fight the battle of David and Goliath against a seemingly invincible industry, ready to achieve their goals at any cost. The brutal undercover photos taken by the activists have caused a series of international scandals, but will they ultimately succeed in making a difference?
Summer of Bees
Cinematography
On a particularly hot summer, Eedi (27), suffering from climate anxiety, decides to start beekeeping with the help of her mother Anne who, rather than fearing for the future, is scared of every single little bee.
Indebted
Cinematography
Elli (Heidi Lindén) is a biology student who likes to party and sleep around. Her part-time cleaning job doesn't even cover her rent, but a chance encounter with a wealthy man leads her to discover that she can earn far more from one-night stands. Money trumps conscience, and soon Elli finds herself drawn ever-deeper into a world of soliciting and prostitution. Iiris (Kristiina Puukko) owes money to loan sharks, and is forced to lead a gang of violent debt collectors going after defaulters so that her own debts can be forgiven. She asserts her authority by being both one of the lads and tougher than any of them, but when she falls for gang member Andrei (Juha-Tapio Arola) she is forced to reveal her softer side. Meanwhile, Andrei meets Elli at a Helsinki nightspot and they decide to a start a new life together. Iiris has also been making plans for a new beginning, but other people's debts are harder to pay off than your own.
Reflection
Cinematography
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.