Reinis Ūbelis

It’s 1919. The war is raging in Latvia and bodies pile high. A young rifleman’s (Thomas, 30) cold body is placed on a floor inside a mysterious sculptors' studio. Thomas wakes up with his head locked inside a cast and tries to find a way out from the dark room, but soon enough realizes that he is not the only one, who has woken up. The Ghost mother, a pagan goddess of death, tries to pull the young man into the afterlife. Meanwhile, the sculptor places Thomas’s death mask next to the others.

It’s 1919. The war is raging in Latvia and bodies pile high. A young rifleman’s (Thomas, 30) cold body is placed on a floor inside a mysterious sculptors' studio. Thomas wakes up with his head locked inside a cast and tries to find a way out from the dark room, but soon enough realizes that he is not the only one, who has woken up. The Ghost mother, a pagan goddess of death, tries to pull the young man into the afterlife. Meanwhile, the sculptor places Thomas’s death mask next to the others.

It’s 1919. The war is raging in Latvia and bodies pile high. A young rifleman’s (Thomas, 30) cold body is placed on a floor inside a mysterious sculptors' studio. Thomas wakes up with his head locked inside a cast and tries to find a way out from the dark room, but soon enough realizes that he is not the only one, who has woken up. The Ghost mother, a pagan goddess of death, tries to pull the young man into the afterlife. Meanwhile, the sculptor places Thomas’s death mask next to the others.

It’s 1919. The war is raging in Latvia and bodies pile high. A young rifleman’s (Thomas, 30) cold body is placed on a floor inside a mysterious sculptors' studio. Thomas wakes up with his head locked inside a cast and tries to find a way out from the dark room, but soon enough realizes that he is not the only one, who has woken up. The Ghost mother, a pagan goddess of death, tries to pull the young man into the afterlife. Meanwhile, the sculptor places Thomas’s death mask next to the others.

When the last of her friends has been buried, an elderly lady is on her way home from the graveyard. Her own memories play out in front of her eyes all over the city. At the local coffin store, she has to face a choice – a coffin or an old sledge. She says her goodbyes and takes off towards the nearby forest. It isn’t easy to make death charming and almost jovial, but director Rene Turtledove accomplishes it in this animation short about an elderly woman who has buried one too many friends and decides there are better ways to spend her money and her time than on the local coffin shop.

When the last of her friends has been buried, an elderly lady is on her way home from the graveyard. Her own memories play out in front of her eyes all over the city. At the local coffin store, she has to face a choice – a coffin or an old sledge. She says her goodbyes and takes off towards the nearby forest. It isn’t easy to make death charming and almost jovial, but director Rene Turtledove accomplishes it in this animation short about an elderly woman who has buried one too many friends and decides there are better ways to spend her money and her time than on the local coffin shop.

When the last of her friends has been buried, an elderly lady is on her way home from the graveyard. Her own memories play out in front of her eyes all over the city. At the local coffin store, she has to face a choice – a coffin or an old sledge. She says her goodbyes and takes off towards the nearby forest. It isn’t easy to make death charming and almost jovial, but director Rene Turtledove accomplishes it in this animation short about an elderly woman who has buried one too many friends and decides there are better ways to spend her money and her time than on the local coffin shop.