Magali Hériat

Filmes

Lulu the Pill-man
Line Producer
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
Lulu the Pill-man
Production Director
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
S’il vous plaît madame, répondez-moi !
Line Producer
Between the wars, more than eight hundred young Polish women came to Indre-et-Loire to work as farm maids. Their story has come down to us thanks to the letters exchanged by their social worker, Julie Duval. Louis Clergeau, an artisan photographer, whose pictures are scattered throughout this film, gave them a face and a body. This film bears witness to this little-known part of French immigration and tells the bitter fate of these immigrants in the Touraine countryside, whose story still shakes us today.
Lapin à Gill
Line Producer
Lapin à Gill
Production Director
Mes deux Jules !
Line Producer
Mes deux Jules !
Production Director
IVG
Production Director
IVG
Delegated Producer
Trona Pinnacles
Co-Producer
Gabrielle, a 19 years old, finds herself stuck near Death Valley between two parents who no longer speak to each other. The three of them, feeling trapped, try to escape the tension, in a huge scenery that feels unchangeable. The situation seems impossible, until an unexpected event comes to unravel everything...
Esclavage
Executive Producer
Esclavage
Production Director
Les Liens du mariage
Line Producer
Les Liens du mariage
Production Director
Justice
Line Producer
Em 1983, o antigo chefe da Gestapo, Klaus Barbie, é preso. Robert Batinder fala do sentimento ambíguo que tem quando se dá conta que abolindo a pena de morte dois anos atrás, ele acaba de salvar a vida do homem que mandou seu pai no campo de exterminação de Sobibor.
Justice
Production Manager
Em 1983, o antigo chefe da Gestapo, Klaus Barbie, é preso. Robert Batinder fala do sentimento ambíguo que tem quando se dá conta que abolindo a pena de morte dois anos atrás, ele acaba de salvar a vida do homem que mandou seu pai no campo de exterminação de Sobibor.
Through Jann
Line Producer
Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?