Yvette Etiévant

Mathieu (Philippe Garrel), diretor, se prepara para gravar um novo filme. Ele escolhe para a liderança do sexo feminino, uma atriz famosa (Anémone). Porém, sua esposa Jeanne (Brigitte Sy), acredita que a história do filme é autobiográfico. Ela considera essa escolha como uma traição... e ainda tem o filho comum de 6 anos, Lo (Louis Garrel)... Ao filmar sua própria vida e colocar nisso um núcleo familiar verdadeiro (esposa, pai e filho, todos atores de ofício), Philippe acompanha a luta de uma geração que já não sabe como se enxergar, como sobreviver. Por mais que ele tente se nomear enquanto personagem, nunca o vemos como tal, ao menos não como outro além do que ele próprio e os seus...

In the nineteenth century, in St. Petersburg. Poprichtchine, a small official living almost in misery, decides not to go to the office. Coming from a noble family, he can not stand his condition anymore.

She is Florence Vannier-Buchet. Married to Protestant banker Jean-Marc Buchet. Florence leads a major sporting goods company with happiness and firmness. He is Antoine Lombard, Professor, son of a teacher, he is Secretary of State at the Universities. He divides his time between his ministerial activity and his riding in the working class suburb of Chartres. An elected member of the "pink wave". They met during a stormy assembly of the CNPF. The action takes place in 1983. Florence is engaged in a daring industrial and financial operation, while Antoine is putting the finishing touches to a bill for the renovation of Higher Education. Everything separates them and yet they do not manage to live separated from each other ...

A lawyer hires a call girl after learning his wife has invited her lover to move in; the husband and wife separate and the two new couples live side-by-side without issue - until an ex-boyfriend shows up and things start to go wrong.

Claire's handbag is stolen. It contained a letter written ten years previously by the man who is now the French President. In the letter he urges his pregnant mistress to have an abortion. Claire immediately alerts the President's men. From that moment, the machinery of state swings into action.

No Uruguai, no início dos anos 1970, um funcionário da Agência para o Desenvolvimento Internacional (um grupo usado como uma frente para a formação policial estrangeira ) é seqüestrado por um grupo de guerrilha urbana. Usando seu interrogatório como um pano de fundo, o filme explora as consequências frequentemente brutal da luta entre o governo do Uruguai e da guerrilha esquerdista Tupamaro.

Recuperando-se de uma tentativa de suicídio, um homem é selecionado para participar de uma experiência de viagem no tempo que só foi testada em camundongos. Uma avaria no experimento faz com que o homem passe a experimentar momentos de seu passado em uma ordem aleatória.

Um grupo de espanhóis refugiados na França tenta organizar protestos contra o governo em Madri. Sua rede está sob constante ameaça pela polícia espanhola e alguns deles foram recentemente presos. O personagem principal Diego (Yves Montand) dedicou toda a sua vida à batalha, mas ele se sente afastado para sempre. Ele não encontra seu lugar nem em seu país adotivo (França) nem no amor. Mas este filme não é sobre a história, é sobre estilo. Alain Resnais tem uma abordagem original neste filme e isso é o que faz com que esse filme valha a pena ser assistido. (e 14 - Estimado 14 Anos)

In 1870s Scotland mining engineer James Starr is asked by former colleague Simon Ford, who's living inside the abandoned Aberfoyle mine, to help solve mysterious occurrences taking place inside the mine.

A story about a widow who begins to receive blackmail letters demanding money from her. This is when everyone in the small town she lives in dismissing her husband.

This French version of the notorious spy's life centers less on her romantic escapades, and more on those that reveal the person she actually was during WW I when her German superiors ordered her to seduce the French captain Trintignant so she can steal classified papers from him. Instead she falls in love with him, blows the cover, and ends up convicted of espionage and shot. (AllMovie)

It's the spring of 1944 and Therese is in a hurry to get back to Paris. The trains aren't running from the village where she has gone to visit her father's grave and to fill two suitcases with food. Some British and American planes have been shot down and the Germans want to know where the pilots are hiding. An acquaintance has clearance to drive to Paris with a truckload of goats. After she is in the truck Therese discovers that two British pilots and an American pilot are back there with the goats. She must get the men on a train to Paris and to a safe house there, where there is no room for the American. Can she leave him at the Metro station trying to figure out the map?

Guerra dos Botões é sobre duas gangues rivais, cujos combates divertidos se transformam em violência. O título deriva dos botões que são cortados das roupas do time rival como troféus de combate

Stéphane Blanchon lives a quiet life in Switzerland with his wife, Christine, until a young American boarder named Belle, who was living with them, is found murdered. Despite Stéphane's innocence, the evidence points to him, and he learns that Belle harbored romantic feelings for him. Suspicions mount against him; even Christine thinks he is the culprit. Stéphane's sanity begins to crumble, and he lashes out in unprecedented ways.

An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.

Uma garota sofreu um acidente que acabou a deixando sem face, sobrando apenas os olhos intactos. Seu pai, um renomado cirurgião especialista em transplantes, está determinado a fazer qualquer coisa para lhe dar um novo rosto.

Pierre is an engine driver who adopts a small girl, a WWI orphan. A widower, he sees in her the image of her mother.

During a stay at a roadside inn, long-distance lorry driver Jean Viard meets a young woman Clothilde who works there. Their friendship soon develops into a passionate love affair, even though Jean is already married and is old enough to be Clothilde’s father. Things take a turn for the worse when Jean loses his job and his wife finds out about his affair. But Clothilde’s predicament is even more distressing...

At the Conservatory of Vienna the student only have eyes for their beautiful singing teacher, tenor Eric Walter.

Marie, a young doctor, settles down on the Ouessant Island. She will be able to win the diffidence of the local population but she will have to fight for her independence after falling in love with an italian engineer.

A young, talented and ambitious journalist, Louis heads off to try his luck in Paris. He's spotted by Walter, editor-in-chief for a major daily newspaper, who takes to him and furthers his career. What he doesn't realise is that Louis is ready to betray anyone to achieve his ends...

The young mayor of Fontenac, Virgile, is much loved by his constituents who appreciate the improvements he has made in their peaceful village. This beautiful harmony is disturbed by the arrival of a young platinum pin-up, Maggy, alleged pupil of the lord, in truth his mistress.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In 1786, Jocelyn entered the Seminary. He leaves his share of the inheritance to his younger sister Julie. In 1793, on the point of being ordained a priest, the Revolution forced him to take refuge in the Alps. There he meets Laurence, first disguised as a young boy. A great friendship binds them which turns into love when Jocelyn discovers the girl's true identity. Yet faithful to the promise he made to the Superior of his Seminary, Jocelyn will not abandon his faith.

Henri and Jeannette Milliard, a newly married couple from Normandy arrive in Paris where they intend to spend their honeymoon. Unforfunately a wicket gate in the metro separates the couple. In panic, Henri looks for his wife across the capital. He ends up finding her at the hotel they were to put up. But it looks as if Jeannette has gone through some distressing adventure.

As part of the fascination in post World War II France with American culture, a young French couple here travel to the US to see for themselves the prosperity they have heard about.

Thérèse, a young flower girl, tries hard to remain virtuous but the whole world seems to conspire against her, whether her petty Paris family, or her relatives in the province bristling with false respectability, or her lustful employer, or the boy she loves who seduces her and abandons her. But at the end of the day there is Yvon, her childhood friend. Will he be the one that will love her truly?

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

Captain Joris Kniper believes so strongly that he is "skipper next to God" that he is used to playing God on his ship. Tough and bossy, he gives orders which are not to be discussed. But, some day, he is driven to accept on board several German Jews fleeing the nazis and who are refused asylum everywhere. He gradually realizes that skipper he is, but next to God only.The Bible will help him to find the way to self-questioning, awareness and charity.

Um novo padre chega na aldeia rural francesa de Ambricourt para servir sua primeira paróquia. A congregação apática o rejeita imediatamente. Através de seu diário, o jovem relata uma crise de fé que ameaça afastá-lo da aldeia e de Deus.

Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...

A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.

Madame Husson and her circle of holier-than-thou ladies (including an old maid Madame Cadenas)are looking for a chaste and pure girl who will win a hefty sum.

Mathilde Stangerson just married her fiance, when she heard that Larsan, her cruel former husband, whom she believed to be dead, is actually very much alive. Taking refuge to her castle, she appealed to the journalist Rouletabille to protect her.

Socially conscious and realistic treatment of hard working coal miners in the north of France, and a struggle between a younger and older engineer.

Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.

Hélène has an affair with Alain for ten years, but does not want to divorce her husband. Alain receives one letter from a girl Michelle one day. Hélène, who is very jealous, receives that letter by chance and interprets it incorrectly.

Na década de 40, Hélene, uma mulher da alta sociedade, é abandonada pelo amante e para se vingar, convence a prostituta Agnes a seduzí-lo e fazê-lo se apaixonar. Porém, ele acaba se casando com a mulher e Hélene resolve contar o passado de Agnes.