Kenpachirō Satsuma

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

A look into the production of the nineteenth Godzilla film. Includes filmmaker and actor interviews with behind the scenes footage of the film's visual effects. Includes an interview with Akira Ifukube and a brief discussion of the late Ishiro Honda.

A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.

A blind masseur kidnaps young women and kills them and then make sculptures of them, while a mysterious dwarf spreading severed body parts around. Detective Akechi Kogorô investigating crimes.

From the king of the Japanese cult movie, Teruo Ishii! A controversial film in which actual cases that rocked modern-day Japan—including the sarin gas attack by the Aum Shinrikyo Cult—are dramatized with gruesome detail as their perpetrators stand trial in Hell. An angst-ridden girl, Rika, is carried off to Hell by an old woman she meets in a neighborhood park. There she gets a first-hand look at the excruciating agony of those found guilty—by Lucifer himself—of committing heinous crimes during their time on Earth.

Documentary focusing on the Japanese Godzilla, featuring interviews with such people as Director Jun Fukuda, the wide of the late Ishiro Honda and Alex Cox. This documentary incorporates footage from rare shows like "Ultra Q" and films like "King Kong Escapes".

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

Tóquio é o campo de batalha final quando Godzilla se defende de seu gêmeo intergaláctico, SpaceGodzilla, uma versão mutante do guardião verde da Terra.

A former 3D theme park attraction at Sanrio Puroland. A spaceship called Earth is dispatched to investigate the disappearance of its counterpart on a monster-filled planet beyond our Solar System. Once there, it quickly spots the downed craft, and is promptly attacked by Mothra and Rodan. It spots Godzilla and opens fire on him, giving the Planet enough time to escape.

Godzilla vs. Mechagodzilla II, é um filme japonês de kaiju de 1993, dirigido por Takao Okawara, escrito por Wataru Mimura e produzido por Shogo Tomiyama. Produzido e distribuído pela Toho Studios, é o 20º filme da franquia Godzilla, bem como o quinto filme a ser lançado durante o período Heisei da franquia.

Uma série de terremotos atinge o Japão e desenterra um misterioso ovo na Infant Island. Quando três pesquisadores são enviados para a ilha, eles descobrem fadas gêmeas que os advertem a não perturbarem o ovo – o ovo de Mothra. Quando eles tomam o ovo da ilha, o ovo se choca, Godzilla desperta e a batalha pela Terra começa.

Quando um OVNI pousa no Japão e seus tripulantes alegam vir de um futuro onde o país foi destruído por Godzilla, um grupo de pesquisadores junta-se a eles em uma viagem ao passado para evitar o surgimento do monstro. Mas isso acaba por trazer à vida um ser ainda mais terrível, King Ghidorah, e apenas o próprio Godzilla é capaz de enfrentá-lo.

Um cientista combina células de uma rosa com as de Godzilla, criando um tipo de monstro nunca visto antes.

This movie tells the story of Hong Kil Dong, a legendary 15th century Korean Robin Hood figure. It is a mildly entertaining action film with an anti-feudal message.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

A detective goes out of his way to crack the case of a serial killer who specialises in murdering police officers.

A lavish retelling of the true story of the final voyage and ultimate destruction and sinking of the battleship Yamato, Japan's greatest flagship during the Second World War.

Por um tempo, as coisas têm sido pacíficas na Terra. Muito abaixo do solo, o reino de Seatopia envia o besouro gigante Megalon e o monstro Gigan para destruir os habitantes da superfície. Um robô que muda de tamanho chamado Jet Jaguar pede a ajuda de Godzilla em uma tentativa de salvar a Terra da destruição completa.

Quando invasores alienígenas planejam um parque temático para crianças com quatro monstros gigantes para se colidem, o resultado é a inevitável batalha para o destino da Terra. Pelo menos, é assim que é para Godzilla, que junta-se com seu antigo inimigo espetado Anguirus para um combate contra dois de seus maiores adversários: o lendário tricéfalo King Ghidorah e Gigan, um cyborg cuja conspiração para acabar com a vida humana está habilmente disfarçada como planos para a construção de um parque temático infantil.

An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.