Laura de la Uz

When evil M steals the water from Buenaventura and kidnaps Sara, Samuel and his friends board the powerful Knowledge Engine to set out on a dangerous adventure of epic proportions that will lead them to a distant and deadly world called Antares.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

A blind woman living alone in the country tells tales to a criminal holding her captive to keep him calm.

In 90's Habana, a nurse and a home builder, hopelessly in love, live happily married. A circumstantial fact of her past life will put their feelings to test and undermine the most elemental principles.

Luis é um paciente que não fala ou se move como gostaria, por isso não podemos saber a extensão do seu pensamento. Mas sua mãe pode entender e reproduzir seus desejos ou os seus problemas, de modo que ela viveu imaginando o quanto seu amor chegou até seu filho. A condição imposta a Luis é permanecer em uma instituição mental onde interage com pessoas como ele, com movimento e comunicação limitada. Mas, como qualquer ser humano, Luis tem um forte desejo pela liberdade de sua prisão natural. La Parede de las Palabras é tanto o muro de contenção como o contador das emoções das pessoas que, tais como Luis, não são livres para expressar o seu mundo interior.

Ana is a telenovela actress but because of financial troubles resorts to producing a prostitution documentary under false pretences.

Um jovem americano está tentando entrar no ramo de atuação e vai a Cuba durante um festival de cinema.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

Yoli always lived with her mother in a humble neighborhood in Havana. Until one day, a boy invites him to leave and Yoli decides to wait for him, trying to change his routine, even if it is for a day.

An unclaimed fortune, grown for centuries in a British bank account, becomes a potential windfall for Bernadito Castiñeiras and the residents of the tiny village of Yaragüey, Cuba. To receive his massive inheritance check, Bernadito must prove his lineage to the Castiñeiras nuns who first populated the region. In an isolated and impoverished town where many residents share the same surname, a feud breaks out between the "Castiñeiras" and "Castiñeyras" families.

A trama se passa no final dos anos 1940 e início da década seguinte quando o artista cubano Benny Moré tinha acabado de deixar a orquestra Duany e chegado ao México. Também conhecido como "O ritmo de bárbaros" ou "O maior sonero Cuba", o músico faz as multidões delirarem. Talento em todos os gêneros, ele era especiasta no som montuno, mambo e bolero.

Argentine 40-year-old Laura, visiting Cuba for the first time on business, is divorcing her husband back in Buenos Aires. She's soon involved with smooth-talking cab driver Frank. Garment manufacturer Francisco, having lost his wife, children, and home, has traveled to Cuba to kill himself, but Frank's mother realizes that Francisco is the teenage lover who got her pregnant. In other relationships, a gay couple argue over whether or not to remain in the closet, and two documentary filmmakers have career conflicts.

The 50-minute "Madagascar" has the resonance and eloquence of the best poetry, as it deftly turns an adolescent's search for identity into a metaphor for post-revolutionary Cuba. Laura is a professor at a shabby, stultifying college. Her daughter, Laurita, stops going to school, wishes to move to Madagascar and quickly races through several phases. One day, she looks like a heavy-metal fan, another like a bohemian who weeps at poetry and art. Slowly, she crosses the line from ordinary adolescent confusion to intense neurosis and beyond, finally becoming so obsessed with religion and good works that she brings 10 homeless children into the cramped house she shares with her mother and grandmother.