A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.
Когда Бастер заканчивает делать лодку под названием Дамфино, оказывается, что она слишком велика по сравнению с дверным проемом подвала. Когда он выезжает с лодкой на буксире, стена дома разрушается. В гавани он спускает лодку только для того, чтоб она потонула под его весом. Все остальное время он и его семья восстанавливают лодку.
The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.
A team of inept undertakers attempt to get a coffin to a funeral on time. An undertaker is in charge of moving a coffin from a home to the church. The home is on the 26th floor of a skyscraper; the stairs are narrow; the lift is small and prone to stop working. Chaos ensues.
Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.
Очередное приключение белки, в результате которого произошло образование континентов на Земле.
Четырнадцатилетний Карл-Бертил Йонссон, к ужасу своего богатого отца, вручает посылки, предназначенные для богатых жителей города, беднякам.
The Peanuts Gang competes in a punt, pass and kick contest. The winner gets a new bicycle and a trip to the Super Bowl. Meanwhile, Snoopy coaches the Birds football team (made up of a bunch of Woodstock-like birds) to the AFL (Animal Football League) Super Bowl.
Documentary about the making of and legacy of The Creature from the Black Lagoon included in The Legacy Collection box set.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Преобразование знакомых нам объектов в свежее авокадо.
Treevenge details the experiences and horrifying reality of the lives of Christmas trees. Clearly, for trees, Christmas isn’t the exciting “peace on earth” that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back. Treevenge could be a short film about the end of days for Christmas trees, or perhaps, the end of humanity?
An experimental short film from Toshio Matsumoto featuring Mona Lisa.
In the near-future, a woman whose robotic husband fails to meet her standards returns and upgrades him for a better version with standards that she now fails to meet.
Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.
A collection of six gay-themed short films about relationships and the pain of love, including: REQUITED (directed by Sal Bardo), BOYS LIKE YOU (directed by Daniel Armando), WE ONCE WERE TIDE (directed by Jason Bradbury), REVOLUTION (directed by Abdi Nazemian), THE IN-BETWEEN (directed by Alain Hain) and FROZEN ROADS (directed by Mark Pariselli).
A puppet, newly released from his strings, explores the sinister room in which he finds himself.
О том, как власть и алчность растлевают людей и о духовном возрождении, которое приносит Искусство.
Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by
