Материнство (2009)
Жанр : комедия, драма
Время выполнения : 1Ч 30М
Директор : Katherine Dieckmann
Писатель : Katherine Dieckmann
Краткое содержание
Оказывается, не так-то просто отпраздновать на Манхэттене шестилетие дочери. Ведь измотанной маме двух детей противостоит бесчисленное множество городских проблем.
This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.
The Great Road is a 1927 Soviet silent documentary film directed by Esfir Shub. It is the second in Esfir Shub's trilogy of films that began with The Fall of the Romanov Dynasty (1927) and concluded with Lev Tolstoy and the Russia of Nicolai II (1928).
Это документальный фильм о волшебном мире дельфинов и китов. Мы изучим жизнь самых больших животных на нашей планете, узнаем о способностях дельфинов, а также выясним как киты и дельфины общаются друг с другом.
Wendy is finally settling in to single life after the death of her husband. She runs a successful wedding planning company with the help of her friend Roseanne. Wendy's business and values are challenged when Marco, a charming but irritating divorce attorney, opens shop right next door!
Taryn finds herself gaining much-desired popularity when the charismatic new girl at school claims her as a “breath sister," teaching Taryn about the Choking Game. Hiding it from her ever-present mother, best friend, and teachers, Taryn sees choking as a way to build self-control and grab an easy high. But, as the stakes are raised through each subsequent ‘flight’, Taryn has no idea that she is actually putting her life in extreme danger.
There remains only silence in a US military camp town and the, soon to be demolished, surrounding entertainment district in the northern part of Kyounggi province. In the town, three ex-prostitutes live with pains engraved in their minds and bodies. This film poignantly shows pieces of their memories and their figures wandering through the forgotten site, and reveals the most pathetic truth left behind.
Activist-pranksters Andy Bichlbaum and Mike Bonnano pull the rug out from under mega-corporations, government officials and a complacent media in a series of outrageous stunts designed to draw awareness to the issue of climate change.
A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.
Marianne Riblon runs a small construction business in the south of France. Widowed and estranged from a daughter she hasn't seen in 15 years, she spends her time and working and has a life devoid of affection. An active member of the town council, she has strong conservative and racist convictions. One day, her daughter Charlotte calls her to tell her she's a grandmother. Her grandson, Nicolas, is 12 and is on his way to come see her. Charlotte wants her to take care of the child while she's being treated for leukemia. A the station, Marianne discovers the boy is half-black. The two learn to know each other...
После смерти красивой и талантливой школьницы Абби, среди ее одноклассниц, тяжело переживающих потерю всеобщей любимицы, начинается эпидемия неизвестного заболевания...
Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.
Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.
В школе его прозвали Мухой. А он и был похож на муху. Невзрачный, взъерошенный и настырный. Муха позволял себе быть самим собой, стоять на голове в подъезде, раскачивать на кованных воротах и отчаянно любить тоненькую девочку с черными косичками. И остервенело выколачивать из барабанов ритмы вышедшего из моды джаза.
A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.
Two novels united by common characters and a never-settled problem: the clash between sincerity of children and the heartless pragmatism and ambitions of grown-ups.
Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.
Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbours and passers-by, terrified by this situation, call the police and firefighters for help. But the situation quickly becomes unmanageable.
Быть пандой весело! Но не Мише, который вынужден работать в костюме панды на детских праздниках. Ему тридцать лет, он живет в крохотной однушке на окраине Москвы, и у него нет серьезной работы. Все было так, пока его не позвали на день рождения к сыну олигарха. Артему девять лет, и у него есть тайный план, помочь осуществить который может только Миша. Мальчик и панда отправляются в путешествие через всю страну, то и дело вляпываясь в невероятные ситуации.
Loie Fuller, in her 1920 feature-length film Le Lys de la vie, […] explored the new technique for poetic ends, creating fleeting, dreamlike images that "freed" the medium from "illusionism" and imbued it with fantasy. A 17 minutes fragment is held at the Cinémathèque française.
