The Asian Angel (2021)

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

The General's Son is set during the Japanese occupation of Korea, when the oppression of the imperial rulers is escalating in the streets of Seoul. Starring Park Sang Min (Tube) and Shin Hyun Jun (Face), The General's Son is a winning mixture of fast-paced action and colonial Korean realism, which helped the film become one of the biggest domestic hits of the 1990s.

Фильм, в котором режиссер-документалист Мами Сунада фокусируется на создании двух анимационных хитов студии Ghibli: работ Хаяо Миядзаки «Ветер крепчает» и Исао Такахата «Сказание о принцессе Кагуя». Зритель получает возможность побывать на самой студии, создавшей такую классику, как «Унесенные призраками», «Мой сосед Тоторо» и «Принцесса Мононоке». Расположенная в пригороде Токио, студия внешне выглядит как весьма скромное офисное здание. Однако идеи и творческие планы, которые витают в головах тех, кто работает в ее стенах, а также их воплощение достойны всяческих похвал.

Three friends from the northern half of Seoul move to the more affluent southern half, but experience many troubles there.

A North Asian metropolis. Electricity wires draped like thick webs adorn the streetscape. Expolsive sparks of colour electrify the frame. Filmed in Seoul in black and white. Colourised during processing using coloured torch light.

Jong-dae and Yong-ki make a living by picking up paper and empty bottles. Both then join different gangster clan and becomes involved in a struggle of political interests over development in Gangnam, Seoul.

Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+

An oriental doctor Kim Hak-gyu is a cantankerous man who is the longest-term householder in a small village in Seoul. He often causes domestic trouble by being nasty to his wife and his children. Kim Hyeon-ok, a daughter of a young widow who runs Nahana Beauty Shop, is in love with Choi Du-yeol, an obstetrician across the street. Kim Hak-gyu has great distaste for western medicine, and at the same time, is jealous of the obstetrician. He always gets in the way of Choi Du-yeol. Kim's son, Hyeon-gu, dates Jeom-ryae, a daughter of a bar owner.

Alice is a thirty year old Filipino trans woman who flew to Korea to chase after her boyfriend who she discovers is now living with his new girlfriend. Joon is a twenty five year old Korean musician who is being pressured by his traditional parents to find a more stable job and girlfriend. At a bridge in the middle of Seoul, the two brokenhearted souls fatedly cross paths.

An intelligent and affecting drama that follows lives of three couples living in three worldly cities, Sway reflects on the excitements and struggles of immigrant experience in the age of globalization when individuals have become more mobile but also more rootless than ever. In Paris, Arthur tries to convince his girlfriend to return to Asia together with him before his visa expires. In Bangkok, June ponders her future with husband Palm in America. And in Los Angeles, Amanda tries to fit into the family of a Japanese widower still haunted by their loss.

Обычный старшеклассник У Ги-мён, пытаясь привлечь внимание девушки, открывает для себя мир моды и превращается из «ботаника» в стильного парня.

Min-Soo is a playboy who can't tolerate long term relationships. However, fate takes him to beautiful Hye-Won. While, Min-Soo becomes totally captivated by Hye-Won, Hye-Woon tries to resist Min-Soo, fearing their love will be shortened by her terminal illness.

В 1986 году, в корейской глубинке, две местных женщины были убиты одним и тем же извращённым способом. Детектив Ду Ман Пак и его помощник Ён Гу Чжу, доброволец, вызвавшийся помогать в расследовании этого ужасного дела, со всевозможным рвением пытаются распутать таинственные обстоятельства происшедшего. Но скоро становится очевидно, что они не имеют ни навыков, ни характера для подобного рода оперативной работы. После неудачной попытки обвинить в совершении убийства невиновного человека, дело предаётся гласности и полицейские неохотно принимают помощь полицейского Тхэ Ён Со, который прибыл им на помощь из Сеула…

Jun, a Japanese freelance reporter, discovers hidden gem of Korean traditional bakery "Moran-dang" by chance in the middle of the city of Seoul, while covering stories of the city. Moran-dang takes him back to his memory of childhood and urges him to stay there for more stories. One day, Moran-dang is vandalized by construction villains in town who maliciously try to take the spot of the bakery and the owner and chef, Sang-woo, gets his hands injured. When Moran-dang is in danger of closing, little brother Sang-hyuk returns home after drifting apart. As Jun inspires Sang-hyuk to restore his family tie and the secret recipes, Sang-hyuk and Jun are connected in friendship to save Moran-dang.

A lonely otaku is fired from his job. He is rescued in a ruined building by a strange girl in a sailor suit. When he wakes up, the girl becomes a figure. The young man and the pretty figure begin to live together.

Under the Sungsan Bridge, in a waterside stand by the Han River, a poor and tired-looking father and daughter, Jae-mun, and In-seon, are arguing the generation gap over whether to buy boiled eggs or instant crackers. The stand owner Hee-bong hears Jae-mun suddenly declare that boiled eggs float.

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

A story about 4 gay men who try to lead a normal life in Korea, the conservative and harsh country for LGBT in Asia. In the middle of making a queer film Jun-moon, a director, loses his self-confidence due to social scrutiny regarding his sexual orientation. Byung-gwon, a gay rights activist, has been participating in movements to establish equal rights for homosexual laborers. Young-soo, a chef who moved from the countryside 15 years ago, lived a lonely life but he finds happiness after joining a gay choir. Yol, who works for a major company, dreams of the day him and his partner, can have a legal wedding with overcoming the prejudice against people living with HIV/AIDS.

Two American GIs are the only survivors of a unit wiped out in a battle with Japanese troops on an isolated island. The two, who don't like each other, find try to put aside their differences in order to evade the Japanese and survive.

Главный герой фильма японский кореец-таксист Чунънам не испытывает особого рвения в работе, его не интересует проблемы объединения двух Корей, а единственное, что его интересует это молоденькие и симпатичные девушки. Как-то раз в одном баре, которым владеет его мать, он знакомится с филипинкой Кони. Чуньнам предпринимает самые разные попытки сблизиться с девушкой, но непреклонная Кони на них никак не реагирует. В конце концов он чуть ли не силой овладевает Кони и по собственной инициативе переезжает к ней на квартиру, где они начинают жить вместе.