Mexican feature film
Street-vendor believes he's wanted for a murder he didn't commit, so he hides among the "gleaners" at the city dump.
Dora
Tomboy grows up, overalls to frilly pastel dresses. And even a husband.
Catalina
Analytical view of one of the least reported conflicts of national cinema: the Cristero movement that developed in the regions of western Mexico between 1926 and 1929, highlighting the inability to be faithful to both the Church and the State.
Patricia
Three nymphets struggle to have a beneficial youth: Ana is suicidal, Mercedes is attracted to her brother William, and Patricia desires to be sexually abused.
(as Rocío Brambila 'Costurita')
Small-time crook teams up with a street urchin for mutual support on the margins of society.
Amilamia, niña
A man becomes more and more infatuated with his childhood sweetheart leading to a haunting encounter with horror.
Rich family's lovable groundskeeper is charged with caring for the seven children when Mum and Dad go on vacation.