Mustapha
Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.
Férid Boughedir, the Tunisian film-maker and the journalist, historian and defender of the African and Arabic cinema, is filmed, through various situations and places between Tunisia and France, and more particularly around the preparation and during the realization of his movie Spring flavor, a comedy on the Tunisian revolution.
Writer
In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC
Producer
In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC
Director
In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC
Self
Portrait of Tahar Chériaa. Founder of the first african cinefestival and father of panafricanism.
Director
A compelling double love story about a French-Tunisian Jewish family. Henry returns to La Goulette, port of Tunisia, with his wife, in search of his family roots. The film explores his parent's history from the 1920s, and the impact of the Vichy Government under German Occupation in the 1940s.
Writer
Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.
Director
Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.
Writer
Юный Нура в свои двенадцать по-прежнему посещает общественную баню вместе с матерью. Но женские прелести, которые он созерцал с самого детства, неожиданно для него самого начинают будить совсем новый и "неожиданный" интерес. В тот момент, когда он начинает отчетливо понимать это, над его юношеской эротико-романтической идиллией нависает угроза... Ребёнок взрослеет и познаёт жизнь, общаясь с простыми людьми — жителями Хальфауина, старого тунисского квартала…
Director
Юный Нура в свои двенадцать по-прежнему посещает общественную баню вместе с матерью. Но женские прелести, которые он созерцал с самого детства, неожиданно для него самого начинают будить совсем новый и "неожиданный" интерес. В тот момент, когда он начинает отчетливо понимать это, над его юношеской эротико-романтической идиллией нависает угроза... Ребёнок взрослеет и познаёт жизнь, общаясь с простыми людьми — жителями Хальфауина, старого тунисского квартала…
Narrator
Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.
Director
Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.
Writer
Camera de Afrique Is a 1983 documentary. Acclaimed Tunisian filmmaker Férid Boughedir wrote, produced and directed this documentary that recounts 20 years in the history of African cinema through interviews and excerpts from 18 films.
Director
Camera de Afrique Is a 1983 documentary. Acclaimed Tunisian filmmaker Férid Boughedir wrote, produced and directed this documentary that recounts 20 years in the history of African cinema through interviews and excerpts from 18 films.
Director
Anthology film portraying the stories from the collection Sleepless Nights by Ali Douagi.
First Assistant Director
«Эдем» — это студенческое кафе, где тусуются молодые люди, курят травку, играют на гитарах и сочиняют всякие байки. Так начинается криминальный сюжет, постепенно переходящий в красивый сюрреализм и артхаус. То ли это чей-то криминальный план в этом «Эдеме» или может мастерски спланированный кем то ряд преступлений… В фильмах Ален Роб-Грийе вообще трудно отделить реальность от снов и фантазии, явь от сновидений. На лицо любимые приемы режиссера Ален Роб-Грийе — красивые нагие девушки, восточные напевы, красивые сюрреалистичные сцены
Writer
Three sisters visiting their uncle in his island home, find themselves alone with the late uncle's manservant. Their relations reveal a dark side in all of them, and gender, racial, and class tensions that lead to situations of humiliation, domination and sex, and death.
Director
Three sisters visiting their uncle in his island home, find themselves alone with the late uncle's manservant. Their relations reveal a dark side in all of them, and gender, racial, and class tensions that lead to situations of humiliation, domination and sex, and death.
