Maite Alberdi
Рождение : 1983-03-29, Santiago, Chile
История
Maite Alberdi is a Chilean audiovisual director, producer, screenwriter and film critic.
She is internationally recognized for her documentaries La once (2014) and Los niños (2016), for which she won the award for best female documentary director at the Amsterdam Documentary Film Festival (IDFA), the most important festival of its kind in the world. She graduated as an audiovisual director from the Pontificia Universidad Católica de Chile, and also has a degree in aesthetics and social communication from the same university. She has worked as an editor, sound designer, executive producer and director of photography in various national films and documentaries.
In June 2018 she was invited to join the Academy of Motion Picture Arts and Sciences in the United States.
At the Sundance Film Festival, her fourth feature film, The Mole Agent (2020), was released.
Producer
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Screenplay
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Director
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Producer
Десять лет назад Лина ради заработка покинула свою родину Перу и устроилась домработницей в Чили. Это позволило ей не думать о деньгах и посылать средства своему сыну Джуниору. На Рождество она должна ехать домой, к своей семье, однако ряд обстоятельств заставляет её засомневаться в этой идее.
Executive Producer
Десять лет назад Лина ради заработка покинула свою родину Перу и устроилась домработницей в Чили. Это позволило ей не думать о деньгах и посылать средства своему сыну Джуниору. На Рождество она должна ехать домой, к своей семье, однако ряд обстоятельств заставляет её засомневаться в этой идее.
Screenplay
Since he was born, Rai has defied all medical prognoses, today he turns one year old and her mom treasures his imperfectly perfect normality.
Director
Since he was born, Rai has defied all medical prognoses, today he turns one year old and her mom treasures his imperfectly perfect normality.
Screenplay
Zoila and Marta have become friends in the residence where they live because they have the same goal, to escape quickly from the place. In their day to day life, they plan original escape strategies as they need to return home urgently, one to feed her husband and the other to take care of her mother.
Director
Zoila and Marta have become friends in the residence where they live because they have the same goal, to escape quickly from the place. In their day to day life, they plan original escape strategies as they need to return home urgently, one to feed her husband and the other to take care of her mother.
Thanks
Known for their ranching abilities and their endurance under extreme weather conditions, both Joaquín and Victor leave their families behind to pursue their dreams of earning enough money to buy land of their own back in Chile.
Screenplay
Серхио - чилийский шпион. В своем роде. По крайней мере, такую роль ему предлагают после кастинга, организованного детективом Ромуло, частным сыщиком, которому нужен надежный “крот”, чтобы проникнуть в дом престарелых. Клиентка Ромуло, встревоженная дочь местного жителя, подозревает, что ее мать подвергается жестокому обращению, и нанимает его, чтобы выяснить, что происходит на самом деле. Однако Серхио - 83 года, он не агент 007, и он непростой ученик, когда дело касается технологий и методов шпионажа. Но он прилежен, и ищет способы отвлечься после недавней потери жены. Что может быть лучше, чем шпионаж под прикрытием? Собирая информацию, Серхио сближается с несколькими постояльцами дома престарелых и понимает, что скрытая от глаз грозная правда - это не то, о чем кто-то подозревал.
Executive Producer
Серхио - чилийский шпион. В своем роде. По крайней мере, такую роль ему предлагают после кастинга, организованного детективом Ромуло, частным сыщиком, которому нужен надежный “крот”, чтобы проникнуть в дом престарелых. Клиентка Ромуло, встревоженная дочь местного жителя, подозревает, что ее мать подвергается жестокому обращению, и нанимает его, чтобы выяснить, что происходит на самом деле. Однако Серхио - 83 года, он не агент 007, и он непростой ученик, когда дело касается технологий и методов шпионажа. Но он прилежен, и ищет способы отвлечься после недавней потери жены. Что может быть лучше, чем шпионаж под прикрытием? Собирая информацию, Серхио сближается с несколькими постояльцами дома престарелых и понимает, что скрытая от глаз грозная правда - это не то, о чем кто-то подозревал.
Director
Серхио - чилийский шпион. В своем роде. По крайней мере, такую роль ему предлагают после кастинга, организованного детективом Ромуло, частным сыщиком, которому нужен надежный “крот”, чтобы проникнуть в дом престарелых. Клиентка Ромуло, встревоженная дочь местного жителя, подозревает, что ее мать подвергается жестокому обращению, и нанимает его, чтобы выяснить, что происходит на самом деле. Однако Серхио - 83 года, он не агент 007, и он непростой ученик, когда дело касается технологий и методов шпионажа. Но он прилежен, и ищет способы отвлечься после недавней потери жены. Что может быть лучше, чем шпионаж под прикрытием? Собирая информацию, Серхио сближается с несколькими постояльцами дома престарелых и понимает, что скрытая от глаз грозная правда - это не то, о чем кто-то подозревал.
Other
In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.
Producer
Чола и Футбол - пара уличных собак, которые живут в скейтпарке Лос Рейес. Вокруг них организован микрокосм, состоящий из вещей, животных и молодых подростков, находящихся в конфликте со взрослым миром, который они отвергают, но обязаны войти в него.
Screenplay
A group of friends with Down Syndrome have been attending the same school for 40 years, and they are tired of being treated like children, they are grown-ups and want to live as such.
Producer
A group of friends with Down Syndrome have been attending the same school for 40 years, and they are tired of being treated like children, they are grown-ups and want to live as such.
Director
A group of friends with Down Syndrome have been attending the same school for 40 years, and they are tired of being treated like children, they are grown-ups and want to live as such.
Executive Producer
After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.
Executive Producer
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Producer
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Director
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Thanks
A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
Researcher
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Screenplay
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Camera Operator
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Director
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Thanks
The comedian Timoteo is the leader of a cross-dresser circus that has toured through Chile for forty years. Today his advanced age and health are reason for concern regarding the continuity of the show.
Screenplay
PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.
Screenplay
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Researcher
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Director
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Screenplay
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Sound
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Editor
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Director of Photography
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Executive Producer
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Director
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Sound
Script
Director
