Jaromír Šofr
Рождение : 1939-09-20, Brno, Protectorate Bohemia and Moravia [now Czech Republic]
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An opera troupe in a small town decides to perform Mozart's Don Giovanni. The view behind the scenes uncovers the world of opera without the glitter. A tale of love and disappointment, about music and passionate love-making and about people that live their lives in spite of the opera.
Documentary about the making of Vera Chytilová's film DAISIES
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История взлета и падения карьеры одного пражского официанта в первой половине двадцатого века. Амбициозный молодой человек из официанта в гостинице маленького чешского приграничного городка попадает в огромный отель в центре Праги, и даже удостаивается награды от императора Абиссинии. Но настоящий взлет карьеры официанта случается после захвата Чехословакии немецкими войсками.
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The life of Tomáš Garrigue Masaryk, the first elected President of Czechoslovakia following the fall of the Austro-Hungarian empire in 1918.
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Один из самых именитых чешских режиссеров снял заведомо непроходной фильм - крайне жесткую сатиру на тогдашний коммунистический режим. Фильм пролежал на полке 20 лет, вышел на экраны лишь в 1990 году и получил восторженные отзывы критиков. По роману Богумила Храбала. Прага начала 50-х. Действие фильма происходит в трудовом лагере. Разношерстная команда рабочих, среди которых и профессор литературы, и повар, и несколько женщин-заключенных, открывает в себе солидарность после того, как двое молодых людей влюбляются и решают пожениться. Они готовятся к свадьбе...
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Biography of Karel Čapek.
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Czechoslovakia 1918. The newly formed National Assembly has made Stoklasa the administrator of the Kratochvile Castle. Although with no aristocratic background, he is a man of fortune and is trying to buy the castle. To impress his neighbors and the local politicians he invites them to a great hunting party. Uninvited comes a man who claims to be Duke Alexej. Stoklasa believes him to be a hustler. This hustler, however, manages to charm all the women before he leaves.
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Одиннадцать школьников оказываются отобранными для прохождения специального тренировочного курса на лыжной базе «Волчья», находящейся высоко в горах. По прибытии на базу суровый тренер, называющий себя «Папой», постепенно начинает планомерное стравливание детей друг с другом. Однако некоторые ребята замечают, что с их наставниками что-то совсем не так, как у людей. Что же это? — часть задуманного испытания на прочность или нечто по-настоящему сверхъестественное? Что сможет объединить людей, заставив их простить все обиды и стереть все различия, открыв нечто большее, чем простая дружба и привязанность?
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Однажды в одном королевстве, на одной мельнице, на которой хозяйничал Махал-мельник, справедливый и добросовестный человек. И был у него сын по имени Петер. И жили они счастливо, если бы не ... Дорота и Управляющий короля захотели заполучить мельницу. Это не очень хорошая вещь для людей думать, что зло может оказаться безнаказанным.
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Комические приключения деревенского растяпы, помощника водителя грузовика. Номинация на «Оскар» в категории «Лучший иностранный фильм».
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Carefree young nurse Marta learns upon her husband's death that he was involved in all manner of criminal activity, which puts her life in danger.
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Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.
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In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.
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Returning home to Prague, the magician Pasparte, an owner of a circus caravan, meets his dying colleague who entrusts his beautiful daughter Aloisie to his care. In Prague they all take up their lodgings at the house At Blue Fish in which they intend to arrange the programs. The firm is owned by widow Evzenie with whom Pasparte shares flat and bed. Evzenie is jealous of Aloisie therefore Pasparte sends Aloisie as a housewife to the single man Jakub Kolenatý who earns his living by photographing and wants to record the revived pictures of Prague. Pasparte wants to found in Prague the first permanent Czech movie theatre in which there would be projected also the original Czech films.
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The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.
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This feature film based on the events of 1938 is a chronicle of the futile efforts of the Czechoslovak president Edvard Benes (Jirí Pleskot), politicians and ordinary citizens, to save the independence and the territorial integrity of the state from the advance of Hitler's Germany. On the 29th of March 1938 the leader of the Sudeten Germans Henlein (Werner Ehrlicher) has a meeting with Hitler (Gunnar Möller). Hitler orders him to intensify pressure on the Czechoslovak government. On the 24th of April in Carlsbad, the Sudetendeutsche Partei (Sudeten German Party) decides upon eight demands that are unacceptable to the Czechoslovak President, since they would ultimately lead to the break-up of the Republic. Benes still shows a certain willingness to negotiate, and Henlein resents this. The Germans are determined to make further negotiations impossible through incidents and violence.
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Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.
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Three detective stories, three different views of life and death... Collection of three horror short stories.
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A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.
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Смешная история о трех друзьях, которые пытались ухаживать за девушкой приезжего фокусника.
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Группа из семи человек приглашена на праздник к одному неназванному высокопоставленному лицу. По дороге в лесу на них нападает отряд охраны, которым командует дерзкий и коварный Рудольф. Гости поразительно легко принимают унижения, а потом со льстивой вежливостью соглашаются с тем, что это была всего лишь шутка…
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1944 год. Оккупированная фашистами Богемия. На маленькой железнодорожной станции начинает работать молодой паренек Милош Хрма. Новичок пытается во всем равняться на диспетчера Губичку, у которого и на работе все в порядке и на сердечном фронте: редкая дама не попадает в объятия Губички. Милош же влюблен в кондуктора Машу. Но пока разгораются любовные страсти, Восточный фронт становится все ближе и ближе. Партизаны дают о себе знать все чаще и чаще, и немецкое командование отдает приказ взять под особое наблюдение все поезда, идущие в сторону фронта…
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Documentary about the film academy in Prague and the Czech Film in 1965.
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Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination of his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead. Beautifully shot and darkly ironic, Karel Kachyna’s forgotten masterpiece jumbles reality, memory and fantasy to capture the intensity and confusion of childhood in a war zone.
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The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and joy amid the rigid conformity of life in a communal factory dormitory.
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The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.
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A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”