Darko Herič

The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

A young couple walks through the wilderness. She is free and he follows, somewhat reluctantly. After spending a stormy night under a rock shelter, they meet a man from her past. Together they come upon a road.

Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.

The paths of two girls cross one evening in Ljubljana. Tina, a Slovene, and Iben, a Danish girl of similar age, both experiencing some kind of turning point in their lives, open up to one another and soon develop a close bond...

From 1977 to 1991 an image of Slovenia as a green, demilitarised and peaceful country of diligent people reigned in Yugoslavia, a country where differences are not only allowed, but also desired. This period ends with a ten-day war, when the identity turns from peacefulness, modesty and diligence into courage and a fighting spirit. The film documents the changes in Slovenia and its inhabitants, which have in recent years brought us to a completely different understanding of national identity, different from the one which was true in Slovenia as well as abroad twenty years ago.

One shot. Two bodies. And an interrupted sex. Film in which faces and voices are outside the shot, and protagonist is Her and His naked flesh, on that March 9th, in a casual relationship and a casual deceit. Nervous croquis of body language.