Director
Director
Director
A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.
Writer
In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes
Director
In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes
Director
A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.
Director
Scenes from holiday life at Lake Balaton in Hungary during the communism.
Director
Scenes from holiday life at Lake Balaton in Hungary during the communism.
Director
Director
The Life of an Agent, Police Training in the Kádár Era (Gabor Zsigmond Papp, 2004), uses a series of films shot by the Hungarian Interior Ministry between 1958 and 1988 and screened for generations after generations of secret police agents thus taught about methods designed to protect the state socialist regime: secret searches of homes, operational monitoring of enemy persons, the installation of audio surveillance equipment, and the organization of networks of informers. The film, which works exclusively with secret police material, sheds significant light on the mechanisms of the maintenance of power despite all the paranoia and the battle waged against its own citizens.
Director
Director
Director
Stories through series of text messages
