Víctor Hernández Stumpfhauser

Изабель, желая вернуть сына и наладить свою жизнь, решает стать суррогатной матерью для Сары и Йокина, одержимыми идеей создания семьи.

On the surface, Clara Barron seems to have it all: a job as an OB-GYN; a great house in LA; and a loving family. But, the one thing Clara doesn't have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities,- only to be caught by surprise when her ex- boyfriend (and family favorite) suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities.

Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.

Set in 1940s Nigeria, capturing the struggles of a young African girl. Funmi precariously straddles the different worlds of modernity and tradition. When Funmi's mother, a powerful market woman, insists on sending her to England for an education, Funmi goes reluctantly, knowing that the patriarchal traditions at home continue to oppress the market women. With the help of a strange African American angel, Funmi returns with the confidence of an educated young woman. But she soon finds that, even though she has changed, the oppression has remained the same. The film culminates in the moment when Funmi finally and fully faces the old challenges.