Léo Bittencourt

Симона-молодая студентка юридического факультета, у которой появляется страсть защищать женщин в делах о насилии. В то же время её собственные сексуальные интересы ведут ее в мир, где царят насилие и эротика.

An approach to the pandemic with a focus on care, revealing the human face of the collective struggle against Covid-19 in interviews with doctors, nurses and community workers.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

Стела, молодая бразильская актриса, решает поставить спектакль, основанный на письмах, которыми обменивались латиноамериканские художники в 70-х и 80-х годах. Она путешествует по Кубе, Мексике, Аргентине и Чили в поисках работы и видит отголоски прошлого времен диктатуры, с которой столкнулось большинство латиноамериканских стран. В разгар расследования Стела узнает о существование Аны, молодой бразильской художницы, которая внезапно бесследно исчезла. Ана приехала из южной Бразилии, из маленького городка в глубине Буэнос-Айреса. Одержимая персонажем, Стела решает найти ее и выяснить, что с ней произошло.

Амади, музыкант из Лагоса, отправляется в Бразилию с миссией найти своего старшего пропавшего брата Икенну и вернуть его в Нигерию. Вскоре он обнаруживает, что его брат не был выдающимся математиком, которым он должен был быть. Теперь Амади должен выбрать между верностью своей разбитой семье или новой жизнью в Сан-Паулу.

The daily life and development of young models of an agency located in the Jacarezinho favela, North Zone of Rio de Janeiro.

Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

A gritty observation of precarious romance, debauchery, and heartbreak between addicts living in a São Paulo hotel.

The First Stone exposes the terrible face of intolerance, where angry lynch mobs take justice into their own hands. The documentary tells the story of lynching victims and investigates the shocking growth of this crime in Brazil where one lynching is registered everyday - the highest rate worldwide. A narrative with engaging characters and dramatic stories of lives that have been devastated by this violent trend in mob rule.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

"A Long Journey" tells the story of three siblings who reach adolescence in the late 1960's. The documentary's storyline follows the youngest brother's travels around the world. Worried that he would enter the struggle for freedom against the Brazilian dictatorship, his family sent Heitor to London. There however, he dives head on into the "Swinging London" and, just like the European and American youth of the time period, he experiments with drugs and the mystic allure of India. In the nine years he has traveled around the world, from 1969 to 1978, he has regularly written to his family. The documentary features interviews with Heitor today, his letters and off-screen comments of Heitor's sister, Lúcia Murat, the director of the movie.

Brazilian short film, directed by Julia Murat.

A journey between five towns whose former prosperity has waned; a surprise journey into a family history.

A journey between five towns whose former prosperity has waned; a surprise journey into a family history.