Jarosław Świtoniak
Рождение : 1927-03-24, Łódź, Poland
Смерть : 1997-06-06
Production Design
В основе сюжета кинодилогии - исследование сложных судеб коммунистов-антифашистов разных национальностей. Фильм основан на биографиях реальных людей, чья жизнь вобрала в себя самые драматические этапы истории 30-50-х годов XX века.
Production Design
Polish film directed by Ryszard Rydzewski.
Production Design
The reunion of a group of former medical students results in a flood of bitter memories.
Costume Design
Set Designer
Production Design
Set Designer
A Polish soldier settles on a small island, where he operates a lighthouse. Absorbed by reading, he does not fulfill his duties.
Production Design
Presenting a different approach to life, the three brothers meet at their father's funeral.
Production Design
Two simple men win the lottery and decide to spend the money on their first plane flight and some other pleasures. But all that does not bring enough happiness to their lives.
Production Design
Based on a pre-war murder case of the Malisz couple. They end up committing a petty robbery and a sordid murder. He is an illustrator who is not used by a climbing architect. His folks don't like his wife and keeping both of them around as they float from one petty job to another. They finally try to rob a mailman of a bogus money order they have cooked up and end up killing an old, invalid couple with whom they have roomed.
Set Designer
An official falls victim to hooligans. He recognizes one of the attackers at a party organized by his director.
Production Design
After the war, the community of mountaineers is eager to start their own sawmill. When the communist authorities come to take over the sawmill, a rebellion starts.
Production Design
Production Design
Warsaw is mysteriously running out of water during the summer heat wave. This mystery can only be solved by a Polish superhero known as As.
Production Design
Officers of the 5th Horse Rifle Regiment of the 1st Armored Division go to Brussels, where they meet Joachim Lelewel. To verify the story, the press officer of the division goes to Brussels.
Production Design
1945. A packed ferry drifts down the Vistula after its tow rope snaps. Nobody but Kros, a policeman, notices, and he must organize a rescue before the ferry drifts into the Bay of Gdansk, which is still full of mines.
Production Design
Production Design
An ambitious, enthusiastic young geologist is entangled in bureaucratic red tape when he tries to drill for oil. Frustrated with the situation, he torches an abandoned mill, ignores his girlfriend, and fights with his friends who do not share his exuberance about the project.
Production Design
Production Design
Production Design
A group of workers builds a bridge near a large dam. They get drunk with a visiting reporter, who falls into the river and disappears.
Production Design
A man jumps off a moving train and goes to a small town to face its inhabitants, who seem familiar, but odd.
Production Design
Production Design
After the death of his wife, Marcin stays alone with his growing son on the farm.
Production Design
A pair of lovers go off to a small hotel in a little town. The memories of war, however, intrude on their idyll. The girl and boy relive certain wartime experiences in flashback. She was a communist who drove a boy loving her to give himself up.
Production Design
Польша 1946 год. Банда Перуна, совершающая жестокие грабежи и убийства, терроризирует население крупной территории, неизменно уходя от справедливого возмездия. Пленный в ходе допроса сообщает капитану безопасности Морва, что у Перуна есть хорошо информированный осведомитель среди его преследователей. Капитан придумывает хитроумный план, в результате которого обезврежен Перун с сообщниками и предатель из группы Морва.
Production Design
"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."
Costume Design
Долго живший в Париже, Седой приехал в Варшаву, где когда-то воевал. Все изменилось в городе, другими стали люди, улицы и дома. Ничего не узнает Седой: Варшава живет сегодняшним днем, а он в прошлом. Седой решает, что в этом новом городе для него нет места, и возвращается в Париж.
Production Design
Долго живший в Париже, Седой приехал в Варшаву, где когда-то воевал. Все изменилось в городе, другими стали люди, улицы и дома. Ничего не узнает Седой: Варшава живет сегодняшним днем, а он в прошлом. Седой решает, что в этом новом городе для него нет места, и возвращается в Париж.
Art Direction
После смерти матери маленькая Бася оказалась совершенно одна в большом городе. Доктор отправляет девочку в Краков по адресу, который прошептала перед смертью ее мать. В Кракове Басю никто не встретил. Ее взял к себе в дом одинокий писатель, который сильно к ней привязался. Через некоторое время появляется Станислава, подруга матери Баси, которая по недоразумению не встретила девочку. Писателю не пришлось никому отдавать девочку, так как он влюбился в Станиславу и она вышла за него замуж.
