Mario Álex

Lluis de Serracant leads a double life. By day he's a young lawyer, scion of a Catalan bourgeois family. At night he's a transvestite performer known to his fans as "Flower of Autumn".

Ursula Alejandra Nicholson, the Carrot Queen, an extravagant American millionaire, arrives in Spain. J.J., a suave and ambitious executive, decides to become involved in the American carrot industry. To do so, he will take advantage of an unhappy bookseller, pulling him into a delirious misadventure that serves as a political satire.

The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

Girls of a corrupt orphanage are being sold by the sadistic matrons to a badly disfigured doctor. His sinister motive is to use the girls as guinea pigs in his experimental brain surgeries.

Masked Mexican wrestler and superhero Santo plays private investigator, called in by government officials to investigate the mysterious vandalism of a high profile painting. With the help of his two counterparts, he uncovers the truth behind an art collector/chemist who may be murdering female models.

A seductive woman gets involved in relationships with several people. All of the characters play games of deceit with one and other and things get more and more dangerous.