Song Peng Fei

Gu Zhaohui, a young opera performer, waits his turn to the first big performance. While he waits on backstage, he chats with old friends, remembering his past struggles. Shot with iPhone 14 Pro.

Gu Zhaohui, a young opera performer, waits his turn to the first big performance. While he waits on backstage, he chats with old friends, remembering his past struggles. Shot with iPhone 14 Pro.

An old Chinese woman visits Japan to find her missing daughter whom she adopted in post-WWII China. Her granddaughter and a retired Japanese policeman join her search.

An old Chinese woman visits Japan to find her missing daughter whom she adopted in post-WWII China. Her granddaughter and a retired Japanese policeman join her search.

Ye Nan, a mother belonging to the Dai minority, comes back to her village after living in the city. She wants to take care of the 13-year-old daughter she'd left behind, but the road to rebuilding their relationship is full of obstacles. One day her daughter is arrested for stealing money from the village's most sacred temple with her friend. Since people think the girls are possessed by the devil, they decide to save them by worshipping a stone Buddha in a 250-million-year-old karst cave during the Water-Sprinkling Festival.

Ye Nan, a mother belonging to the Dai minority, comes back to her village after living in the city. She wants to take care of the 13-year-old daughter she'd left behind, but the road to rebuilding their relationship is full of obstacles. One day her daughter is arrested for stealing money from the village's most sacred temple with her friend. Since people think the girls are possessed by the devil, they decide to save them by worshipping a stone Buddha in a 250-million-year-old karst cave during the Water-Sprinkling Festival.

The lives of three people entwine in Beijing's Underground City.

The lives of three people entwine in Beijing's Underground City.

Одинокий мужчина, переживший разлад с женой, спит в одной постели с сыном-подростком и маленькой дочкой. Вместе они чистят зубы в общественном туалете, едят из пластиковых упаковок прямо на улице, обитают в жалком жилище без электричества и воды. Рядом бродят бездомные собаки. Люди как собаки, а собаки как люди.

In 2012, the Hong Kong International Film Festival invited Tsai Ming-Ling to make the opening short film. Having grown up with Hong Kong's popular culture, Tsai Ming-Liang decided to pay homage by making a "Walker" film, contrasting the Walker's slowness with the frenzied pace of Hong Kong's cosmopolitan life. The film ends with a song by Hong Kong actor and singer Samuel Hui, who was Tsai Ming-Liang's idol during his youth. The film was invited to be the closing short film for the Cannes Film Festival in 2012.