Production Design
A film from the "Silhouettes of Polish Literature" series
Production Design
Production Design
Production Design
Ева недавно похоронила мужа, с которым прожила семь лет. Она не любила его и вышла замуж по совету матери. На выставке Ева случайно знакомится с Адамом, он остаётся у неё на ночь, но потом долго не звонит. Следом начинается сумасшедшее хитросплетение любви и измены, боли и счастья. К концу фильма герои буквально меняются местами.
Production Design
Art Direction
A young journalist from Warsaw goes to a small town of Kamienica to prepare a report on a motorcycle gang.
Production Design
Marek is a promising athlete sharing affairs with more than one women. One day at masquerade ball his loafing eyes witnessed the most beautiful pair of eyes disguised in black veil of Turkish dress and instantly get him ensnared by her enigma. He follows her, she knows it. She meets him and introduced her as Jowita and told him to wait for her outside the gate. The wait ended in frustration for him and he gets himself obsessed in search of her. Finally at another ball, he meets her again but she said she is Agnieszka and not Jowita, who is her best friend. They became friends and lovers but still those eyes of Jowita remain a mystery. Who is Jowita? An unattainable object of desire or unsolved enigma of subconscious?
Art Direction
Две сатирические новеллы с одинаковым финалом: и «гангстеры», и «филантропы» оказываются в зале суда. Первая история — о том, как был задумал план «идеального преступления», и как он был сорван. Ни идеальное алиби, ни удачное ограбление — это еще не гарантия успеха. Потому что с деньгами надо уметь уйти с места преступления… Вторая новелла — об оригинальном методе коренной перестройки системы общепита: Жизнь экс-химика Ковальского резко изменилась, когда в кафе его приняли за инспектора…
Costume Design
Rumsza, the elderly railwayman, leading a sedate life with his wife, misses his only remaining son (two older boys were killed in the war). Joziuk finally returns from the military in the first scene but with the pregnant Zosia, while Rumsza expected him to marry Celinka, the daughter of Krywka, his only friend and neighbour. The hero will not accept the new situation; he throws his son and Zosia out of his house. Celinka is distressed but she still harbours hope for Joziuk. The birth of the child changes the situation: Rumsza accepts his son's relationship but Celinka decides to leave.
Set Decoration
Rumsza, the elderly railwayman, leading a sedate life with his wife, misses his only remaining son (two older boys were killed in the war). Joziuk finally returns from the military in the first scene but with the pregnant Zosia, while Rumsza expected him to marry Celinka, the daughter of Krywka, his only friend and neighbour. The hero will not accept the new situation; he throws his son and Zosia out of his house. Celinka is distressed but she still harbours hope for Joziuk. The birth of the child changes the situation: Rumsza accepts his son's relationship but Celinka decides to leave.
Art Direction
О жизни и учебе курсантов мореходного училища, о воспитательной силе коллектива.
