Kateryna Gornostai
Рождение : 1989-03-15, Lutsk, USSR (Ukraine)
Camera Operator
In November 2022, despite the war and power outages in Kyiv, the Docudays UA festival is taking place - live and offline, for the first time in two years. It was a special edition which the festival team called the State of Emergency, and it was accompanied by the news of the liberation of Kherson from Russian occupiers, daily air raid warnings, and dark Kyiv evenings. The three-day journey in the film is full of the fragile humor of the festival team and the eager eyes of the audience.
Director
In November 2022, despite the war and power outages in Kyiv, the Docudays UA festival is taking place - live and offline, for the first time in two years. It was a special edition which the festival team called the State of Emergency, and it was accompanied by the news of the liberation of Kherson from Russian occupiers, daily air raid warnings, and dark Kyiv evenings. The three-day journey in the film is full of the fragile humor of the festival team and the eager eyes of the audience.
Self
16-летняя Маша учится в обычной киевской школе в 11-А классе. Не чувствовать себя странно и отстраненно в коллективе ей помогают близкие друзья Яна и Сеня. Кроме будущих экзаменов выйти из зоны комфорта Машу заставляет влюбленность в одноклассника Сашу. Она понимает, если не решишься спросить – никогда не узнаешь, взаимно ли это.
Editor
16-летняя Маша учится в обычной киевской школе в 11-А классе. Не чувствовать себя странно и отстраненно в коллективе ей помогают близкие друзья Яна и Сеня. Кроме будущих экзаменов выйти из зоны комфорта Машу заставляет влюбленность в одноклассника Сашу. Она понимает, если не решишься спросить – никогда не узнаешь, взаимно ли это.
Screenplay
16-летняя Маша учится в обычной киевской школе в 11-А классе. Не чувствовать себя странно и отстраненно в коллективе ей помогают близкие друзья Яна и Сеня. Кроме будущих экзаменов выйти из зоны комфорта Машу заставляет влюбленность в одноклассника Сашу. Она понимает, если не решишься спросить – никогда не узнаешь, взаимно ли это.
Director
16-летняя Маша учится в обычной киевской школе в 11-А классе. Не чувствовать себя странно и отстраненно в коллективе ей помогают близкие друзья Яна и Сеня. Кроме будущих экзаменов выйти из зоны комфорта Машу заставляет влюбленность в одноклассника Сашу. Она понимает, если не решишься спросить – никогда не узнаешь, взаимно ли это.
Producer
Polia, Solomiіa, Mariіa play in the local theater. After the spectacle, they meet a guy and walk through the night city together. Polia seems to fall in love with him. In the morning he will leave the city and they will not see each other again.
Editor
The only thing we want is to feel that we are needed. Sometimes we want to scream about it. A story of therapy in a group of sex workers.
Editor
Crocodile is a game for a big company. The host shows a word only with the gestures. The one, who guesses it, chooses the next one to lead the game. Anya comes up with a difficult word for Lisa. This New Year Eve turns into a test of their friendship.
Writer
Crocodile is a game for a big company. The host shows a word only with the gestures. The one, who guesses it, chooses the next one to lead the game. Anya comes up with a difficult word for Lisa. This New Year Eve turns into a test of their friendship.
Director
Crocodile is a game for a big company. The host shows a word only with the gestures. The one, who guesses it, chooses the next one to lead the game. Anya comes up with a difficult word for Lisa. This New Year Eve turns into a test of their friendship.
Writer
May. Lilac blossom in Kyiv. Five friends and alcohol from the nearest supermarket. You need to be brave to face your fears, but you need to be even more courageous to tell about them to your closest. Looking for lilac's cinquefoil to eat for good luck.
Director
May. Lilac blossom in Kyiv. Five friends and alcohol from the nearest supermarket. You need to be brave to face your fears, but you need to be even more courageous to tell about them to your closest. Looking for lilac's cinquefoil to eat for good luck.
Director of Photography
Алексей, молодой человек, находится в поиске себя. Он приходит на кастинг проекта «Реальность», авторы которого предлагают Алексею снимать на камеру свою повседневную жизнь и Алексей с энтузиазмом соглашается. Так он становится героем фильма о самом себе. Алексей открытый гомосексуал и не скрывает своих предпочтений от друзей и знакомых. Единственный человек, который не может его понять — его родная мать. Мы обнаруживаем Алексея на кинофестивале им. Тарковского, где он встречает местного парня Гришу, с которым у Алексея начинается роман.
herself
Алексей, молодой человек, находится в поиске себя. Он приходит на кастинг проекта «Реальность», авторы которого предлагают Алексею снимать на камеру свою повседневную жизнь и Алексей с энтузиазмом соглашается. Так он становится героем фильма о самом себе. Алексей открытый гомосексуал и не скрывает своих предпочтений от друзей и знакомых. Единственный человек, который не может его понять — его родная мать. Мы обнаруживаем Алексея на кинофестивале им. Тарковского, где он встречает местного парня Гришу, с которым у Алексея начинается роман.
Writer
Explosion of the condensed milk on the kitchen stove - seems to be the worst thing that can happen. Even those who are responsible for its consequences don't know what will be next. A small crash in a small apartment can be an occasion for something more.
Director
Explosion of the condensed milk on the kitchen stove - seems to be the worst thing that can happen. Even those who are responsible for its consequences don't know what will be next. A small crash in a small apartment can be an occasion for something more.
Editor
В центре сюжета – село Старая Збурьевка, куда сложно вызвать полицию. Для охраны порядка община села выбирает двух шерифов: 50-летнего Виктора Кривобородька и 44-летнего Владимира Рудковского. Пока они разбираюся с кражей уток и семейными ссорами, в село медленно проникают новости с войны и повестки в армию. «Украинские шерифы» – это взгляд на новейшую историю страны через жизнь маленького южного села.
Director of Photography
"We will be together until death will tear us apart" - it is the answer to the question "till when?". But when the romance is over, it is time to decide "how to continue". Young couple is looking for the answer.
Writer
"We will be together until death will tear us apart" - it is the answer to the question "till when?". But when the romance is over, it is time to decide "how to continue". Young couple is looking for the answer.
Director
"We will be together until death will tear us apart" - it is the answer to the question "till when?". But when the romance is over, it is time to decide "how to continue". Young couple is looking for the answer.
Editor
The story of the previous year, that for me began when Maidan had started and maybe didn't end yet. The whole year we have lived in the atmosphere of revolution, then war. Whatever you did - you saw these things in the background, you always mean them, although you live not even on a border of war, but deep in in the rear. I want to remember this year, I want to keep the memory of all the people who surrounded me. The year of Maidan, the year marked by war and peace.
Camera Operator
The story of the previous year, that for me began when Maidan had started and maybe didn't end yet. The whole year we have lived in the atmosphere of revolution, then war. Whatever you did - you saw these things in the background, you always mean them, although you live not even on a border of war, but deep in in the rear. I want to remember this year, I want to keep the memory of all the people who surrounded me. The year of Maidan, the year marked by war and peace.
Director
The story of the previous year, that for me began when Maidan had started and maybe didn't end yet. The whole year we have lived in the atmosphere of revolution, then war. Whatever you did - you saw these things in the background, you always mean them, although you live not even on a border of war, but deep in in the rear. I want to remember this year, I want to keep the memory of all the people who surrounded me. The year of Maidan, the year marked by war and peace.
Director
Three months of revolution. From indignant protest to national unity. From pots on their heads to batons and body armor. From the euphoria of victory to the mourning of the fallen Heavenly Hundred. Revolution as an explosion of revived dignity, as the euphoria of freedom, as the pain of awareness at the cost, as the birth of the modern history of Ukraine. This year we have decided not to have an opening film, because all our attention is focused on the changes taking place in our country today. We have asked the directors who filmed the Ukrainian protests to share their best shots with us. The episodes of these upcoming films about the Euromaidan were formed in a kaleidoscope of revolution, which needs no comment. We offer you a chronicle of the Ukrainian protest. Experience the three months of fighting with us, feel and see the revolution through our eyes.
Camera Operator
We remember dates and facts, while losing tiny details – like a bouquet of summer wildflowers, tears from onions, winter cold on a bus stop bench. We remember the birthdays of our beloved and how they like their tea, but we forget unexpected touches, floating glances, casual chats. And sometimes – when we are rapidly torn apart from each other – we engrave such moments into our memory.
Screenplay
We remember dates and facts, while losing tiny details – like a bouquet of summer wildflowers, tears from onions, winter cold on a bus stop bench. We remember the birthdays of our beloved and how they like their tea, but we forget unexpected touches, floating glances, casual chats. And sometimes – when we are rapidly torn apart from each other – we engrave such moments into our memory.
Director
We remember dates and facts, while losing tiny details – like a bouquet of summer wildflowers, tears from onions, winter cold on a bus stop bench. We remember the birthdays of our beloved and how they like their tea, but we forget unexpected touches, floating glances, casual chats. And sometimes – when we are rapidly torn apart from each other – we engrave such moments into our memory.