António de Oliveira Salazar

Portrait of a time and a country through the plotless story of an unassuming couple, questioning seeming antagonisms that conceal mysterious kinships, and highlighting an intrinsic contradiction of cinema: while fabricating images, film language creates objects that are deeply different from the original models

Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.

Owners of Portugal is a documentary about one hundred years of economic power. The film portrays the State protection to families that dominated the country's economy, their strategies for power and wealth accumulation. Mello, Champalimaud, Espírito Santo - big families intersect by marriage and integrate by finance. Threatened by the end of the dictatorship, their power is restored under democracy, through privatization and promiscuity with politics. New economic groups - Amorim, Sonae, Jerónimo Martins - grow on the same basis. As the crisis unravels the limits of Portuguese economic development model, this film presents the actors and the main choices that brought us here.

Images and sounds expose the duality of Portugal during the days of WW2: a peaceful, god-loving, rural country, providing an escape route for over one hundred thousand European refugees to the Americas; and a political and cultural elite that disguised their Nazi inclinations just enough to play its neutral role in international politics.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

Documentary in which the main events that marked the country and Portuguese society in the years 1974 and 1975 are chronologically addressed. The decay of the Marcelist regime, the Revolution of April 25, the troubled period of the Ongoing Revolutionary Process (PREC) , the failure of the Coup of 25 November. A film produced based on archival footage, interspersed with testimonies from some of the actors in the events of that time, to mark the 20 years of the Carnation Revolution.