Félix Tusell Sánchez

Jesús Quesada, an incompetent executive, is appointed as the new director of a company in decline whose survival will now depend on both the ingenuity and ambition of his former colleagues.

In every attempt at subversion, there are two moments: the one just before, when everyone doubts and no one knows how to hide fear, and the one just after, when all that remains is to run and find a safe place, maybe in memory.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Планета Земля, 9177 год. Остатки человечества живут в постапокалиптической среде, разделенной всего на два социальных класса: правящий король и олигархи, обитающие в Представительском здании, и бедняки, едва выживающие в трущобах, построенных вокруг него.

Планета Земля, 9177 год. Остатки человечества живут в постапокалиптической среде, разделенной всего на два социальных класса: правящий король и олигархи, обитающие в Представительском здании, и бедняки, едва выживающие в трущобах, построенных вокруг него.

The thirteen survivors of a catastrophe by a tunnel's collapse tries to balance their experience trapped along 15 days inside it with their day-by-day outside it.