Peter Chan Charm-man

Director Sunny Chan, the mastermind behind Hong Kong’s No. 1 comedy box officehit “Table for Six”, reunites the original cast and crew for three weddings, which humorously showcase the intricate relationships amongst the three couples within the Chan family. Belief in our own blessings can bring us good fortune, but what is true fortune? Fortune and misfortune, love and hate, what is their ultimate definitions? One family, three couples, three weddings. After they decided to move on, what further challenges await them? Marriage isn’t just about two individuals; it involves a whole family of aunts, uncles, and cousins. Sunny Chan, with his unique sense of humor, once again dives into the complex dynamics of modern society’s men and women, families and romance.

Writer-director Andy Lo's follow-up to his award-nominated drama Happiness is a delicate portrait of a family threatened by well-intentioned lies they tell each other. Mei-chen's family seems fine on the surface, but everyone is secretly struggling. Mei-chen is trapped in a dead-end job with a toxic boss; her brother won’t tell his family that he has separated from his wife; and Mei-chen’s mother is worried that her untold past may shatter her family. Compassionate and hilarious, this is a dramedy with a comforting message about learning to let go.

Based on true events, IN BOARD DAYLIGHT reveals a little-known truth about residential care homes for the disabled that hides beneath the headlines. A news organization’s investigative journalism unit receives a tip about the abuse of residents in Rainbow Bridge Care Home. To expose the home’s wrongdoings, reporter Kay goes undercover to expose the inhumanity inside, searching for the cruel truth under broad daylight.

The sky above Hong Kong is not just heavy with clouds and rain, it also contains astral signs and dark omens in this esoteric neo-noir. In a radical and counter-intuitive move, rather than having the characters’ trajectories converge towards the end, the plot instead knits their fates together from the start. Crossing paths at the scene of a heinous crime in a brothel are the serial killer perpetrator and the upstanding detective chasing him, but also a delivery boy obsessed with blood and knives and an occultist feng shui master who had predicted the victim’s gory fate without being able to prevent it.

This anthology film features a triplet of horror stories starring up-and-coming actors and popular local Youtubers. When a film crew is haunted by paranormal activities, the director decides to cast her to play a ghost; When a taxi driver takes his girlfriend to a party room to get it on, a horny ghost adds spice to the proceedings; When a wandering ghost refuses to leave a soon-to-be-gentrified mall, the tenants concoct a plan to send her off.

Three short films about the hidden horrors that lurk behind the urban landscape of Hong Kong.

Для старшего брата Дая (Дайо Вонг) нет ничего более приятного, чем обедать со своими двумя младшими сводными братьями и сестрами (Луи Чунг Кай Чанг и Питер Чан Чарм Мэн). Но когда его старая любовь (Стефи Тан) появляется в качестве девушки его брата, начинается кухонный кошмар, и его подружка на полставки (Лим Мин-чен) должна смягчить ситуацию.

A 28-year-old I.T. geek suddenly finds himself the object of affection for five attractive women within the same year. The quintet share virtually no similar traits except one quirky thing: they all live in remote corners of Hong Kong.

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

The Winter Solstice has been for the Chinese an important family occasion; however, will this time-honoured tradition become obsolete? The children head back to their family home in the country to see their elderly mother. All seems well on the surface, but each faces their own crisis and difficulty: The eldest brother struggles to raise several kids; the well off second sister plans to leave Hong Kong; estranged from her husband, the younger sister keeps up appearances; and the youngest brother commits to the difficult career as a farmer. The cheerful, animated conversation at the dinner table is overshadowed by simmering anxieties.

Sequel of “Even Ants Strive for Survival” (2017)

Sequel of “Even Ants Strive for Survival” (2017)

The film is a satirical horror anthology, that probes the city’s eternal housing problem, especially its micro dwellings known as cubicle apartments or coffin homes.

Single father Tsui meets university student Gigi who works at an old-fashioned barber shop that Tsui frequents. They bond immediately and begin a profound exchange. The fleeting friendship is a pleasant surprise during times of vulnerability, but does not help to overcome their individual challenges and demons. Tsui continues to put off dealing with a pressing matter that has long been eating him. Amidst the social unrest, Gigi’s outlook and musings on life lead Tsui to reflect on the unsolved matter and he eventually makes an important decision.

A wondrous prostitute plies her trade while living on a boat in Hong Kong. With a superhuman libido and three loving husbands, she doggedly devotes herself to her work. Using sex to satirize the era, this film brims with intense desire.

The film is set in a future when the central government attempts to replace every citizen’s name with numbers. In such a social upheaval, Ma Yi cares nothing but cancels an auto-masturbating machine. While Ma Yi doesn’t violate the law, he is however arrested and interrogated by the police.

The film is set in a future when the central government attempts to replace every citizen’s name with numbers. In such a social upheaval, Ma Yi cares nothing but cancels an auto-masturbating machine. While Ma Yi doesn’t violate the law, he is however arrested and interrogated by the police.