Ludivine Pelé

2040. Jeanne, a woman in her thirties, has recently left Paris to settle in an isolated house bordering a forest. But a wild boar keeps wrecking her fence and her garden. Jeanne fires away and nearly kills a group of hikers. A wildlife mediator is sent to the scene in order to solve this bizarre neighbourhood quarrel...

Posing, selfies, and the imaginary freedom through a journey into a girl teen's practises on social media. The desire to exist only as an image collapsed when she lost the control over her avatar. From a distance, Anhar casts two girls who are shooting and acting for the movie as fictionalized versions of themselves. Exploring and hovering between private and public life.

Barzakh is a term of Persian origin which designates an intermediary place between the living and the dead. More precisely, it signifies the distance or time that both separates and inserts itself between these two worlds. Halves Through Night explores this veiled space in which beings are in suspense, disembodied from the real, and belong to no place. When repairing a car engine and deciding to disappear into the city, Layl experiences strange phenomena. He opens up to what is still unknown about the plurality of worlds and their inhabitants as the night closes in around him. The film probes the possibility of a hybrid body in a crisis zone, itself becoming a territory where purity is impossible. He vacillates between an alienated experience and the mystique of the real.

The breath of the machine fills the air, where the singing can flow. Nina stands in front of the wiggling robot. The soft bodies measure up themselves, sometimes harmonize. The breaths dilate the organs, which swell and fold; transmute the synthetic movement into vital impetus and the vulva into mouth, which inflates until it spreads.

The breath of the machine fills the air, where the singing can flow. Nina stands in front of the wiggling robot. The soft bodies measure up themselves, sometimes harmonize. The breaths dilate the organs, which swell and fold; transmute the synthetic movement into vital impetus and the vulva into mouth, which inflates until it spreads.

Подеста — «остров-призрак», предположительно находящийся в Тихом океане к западу от Чили. В своем гибридном фильме Стефани Ролан приводит различные сведения об этом острове в попытке восстановить сложную, фрагментированную картину.