Take the High Ground! (1953)

Suk-ki is perfect in a everyway but cold-hearted lawyer. He meets accidentally a man who has a same name with himself but both get involved in an accident and severely hurt. When he wakes up, he finds himself in the ugly body of the other guy. He has to live friend’s life from now on.

The next mayor of Seoul candidate's wife becomes a dance singer in this movie as Hwang Jeong-min takes on the role of poor lawyer turned politician and Uhm Jung-hwa as the wife who makes an attempt at singing without her husband knowing at first.

The evil Mr. Chu's control of a village is challenged by a Korean wanderer named Eagle and the three Kung Fu Kids.

In Sector 7, an underwater oil field located south of Jeju Island, Hae-jun is working as a marine equipment manager on an oil prospecting ship called Eclipse. Joining the crew later is Jeong-man, a former colleague of Hae-jun's father, assigned to Eclipse as captain. Though his job is to oversee the withdrawal of the ship, he suggests conducting some drilling one last time.

A detailed military history of the Korean War and preceding events, from 1945 to 1953.

Longing for human contact Xiao Wu tries all he can to make a connection through physical and metaphorical walls in that hour between night and day.

Film producer Lee Yeong-il is introduced to Jeong-hee, his friend's little sister. Unable to find an appropriate slot for her in his movie, he gets her a job in a record company and watches out for her. In time, their love grows deeper. Meanwhile, director Heo Hoon, who is making the film 'The Story of Chun-hyang' with Yeong-il, fires the lead actress of the film, Anna, when she causes too much trouble. Instead, Jeong-hee is hired in her place. Just as Jeong-hee proves herself worthy of the casting and the film-making progresses smoothly, Yeong-il and Heo Hoon face financial difficulties. Yeong-il turns to embezzlement in desperation and is thrown in jail.

Getting into North Korea was one of the hardest and weirdest processes VBS has ever dealt with. They finally said, “OK, OK, you can come. But only as tourists.” At the airport, the North Korean consulate brought us to a restaurant and these women came out and started singing North Korean nationalist songs. We were thinking, “Look, we were just on a plane for 20 hours. Can we just go to bed?” but this guy with our group who was from the LA Times told us, “Everyone in here besides us is secret police. If you don’t act excited then you’re not going to get your visa. So we got drunk and jumped up onstage and sang songs with the girls. The next day we got our visas. A lot of people we had gone with didn’t get theirs. That was our first hint at just what a freaky, freaky trip we were embarking on…

A Marine Corps drill instructor who is disgusted by the fact that the Corps now accepts draftees finds himself pitted against a hippie who has been drafted but refuses to accept the military's way of doing things.

Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.

A division of marines survive a battle with the Chinese army but find themselves stranded without contact on the wrong side of the front.

The story is about the Japanese occupation of Korea during World War II. A Korean patriot played by Carter Wong gets into a fight with some Japanese people and is chased into a church. The priest there is captured and tortured. Trying to secure his release, the leader of the resistance, Jhoon Rhee is himself captured and tortured by the Japanese. Carter Wong, Angela Mao and Anne Winton have to now try and rescue him. This leads to an explosive climax with the heroes having to fight the likes of Wong In Sik (Hwang In-Shik), Sammo Hung and Kenji Kazama.

Hurrah! For Freedom (aka Viva Freedom) is a 1946 Korean film directed by Choi In-kyu. It was the first film made in the country after achieving independence from Japan. During the country's occupation Choi was only allowed to make Japan-friendly films, but the plot of Hurrah! For Freedom is distinctly different, telling the story of a Korean resistance fighter in 1945.

Set towards the end of the 19th century, when coffee was first introduced to Korea, Russian sharpshooter Illichi and Joseon's first barista Danya are manipulated by Japanese officer Sadako into an elaborate plan to assassinate King Gojong.

Die Bad is an inventive feature made up of four distinct episodes, each with their own style. With their criss-crossing characters and themes, they add up to a fairly comprehensive account of the causes and effects of male aggression, both tribal and individual.

When South Korea is ravaged by a massive demon epidemic that nearly wipes out its entire population, four foreigners are forced to stick together to survive the fallout. After they encounter a Korean survivor who informs them that a nuclear purge of the country is imminent, they realize that escape is the only option. But nothing comes free, and to make it out alive they must overcome their differences and work together to confront not only the flesh-hungry demons waiting for them around every corner, but also the personal demons hiding within themselves.

While eating skewered tempura at a street vendor, young reporter Choi Soo-jin accidentally sticks the skewer into the side of a detective, Kang Jae-hyuk, who was chasing a suspected criminal. After this encounter, Soo-jin is told to work on a story about a detective, and the detective turns out to be Jae-hyuk. Soo-jin joins his crackdown on drug dealers, and the two start to fall in love.

There live a couple known as "100-year-old lovebirds." As fairy tale's characters, the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other wearing Korean traditional clothes all the time, and still fall asleep hand in hand. However, the death, quietly and like a thief, sit between them. This film starts from this moment, and follows the last moments of 76 years of their marriage.

The story is set in the 1970s during the period of military dictatorship. Schools were frequently closed and society seemed to face bleak prospects on all fronts. Nonetheless, Byung Tae, a college student, enjoys pursuing romance in blind group dates. It's during one of these ventures that he meets Young-ja, a French literature student.

Documentary directed by Tom Kleespie inspired from Korean War veterans who recall memories both painful and patriotic, putting a human face on an often forgotten conflict. Stories include wartime recollections, such as one soldier's first moments seeing a MiG fighter up close, and veterans' often-tragic experiences returning home, where Americans largely neglected to welcome them back.