Lost Paradise: Riding Habit Harakiri (1990)
Genre : Horror
Runtime : 34M
Director : Masami Akita
Synopsis
Directed by Masami Akita,who is also one of Japan's leading noise musicians under the name Merzbow. With a soundtrack by the director himself, this intense and ultra-gory seppuku film shows a young woman taking her own life by an act of ritual harakiri.
A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.
In Disney's take on the Alexander Dumas tale, Mickey Mouse, Donald Duck and Goofy want nothing more than to perform brave deeds on behalf of their queen (Minnie Mouse), but they're stymied by the head Musketeer, Pete. Pete secretly wants to get rid of the queen, so he appoints Mickey and his bumbling friends as guardians to Minnie, thinking such a maneuver will ensure his scheme's success. The score features songs based on familiar classical melodies.
A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.
Sean Reynolds, a highly acclaimed investigative journalist (who strongly believed in paranormal phenomena), destroyed his career when the most watched episode of his reality show, based on paranormal phenomena, turned out to be a hoax. Sean saw a news report on a "Bigfoot Hunter" (Carl Drybeck) who claimed to possess the body of a dead Sasquatch. He believes Drybeck is a phony and decides to create a new show that reveals people's paranormal claims as hoaxes. Sean assembles his old film crew and heads to Northern California's "Lost Coast" to meet with and interview Drybeck. Obsessed, Sean is staking his comeback, his life and the lives of his documentary film crew on proving Drybeck's claim to be a hoax.
A kid begs to stay home while his older sister runs to the store. After she leaves, he wishes he would have gone because he doesn’t feel comfortable being at home in the dark as strange things start to happen...
Inside the halls of an elite arts academy, a timid music student begins to outshine her more accomplished and outgoing twin sister when she discovers a mysterious notebook belonging to a recently deceased classmate.
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
200 years after his shocking creation, Dr. Frankenstein's creature, Adam, still walks the earth. But when he finds himself in the middle of a war over the fate of humanity, Adam discovers he holds the key that could destroy humankind.
In post–War England, a writer and sometime-ghost hunter investigates a reported haunting at a boys boarding school.
When their computer hacker friend accidentally channels a mysterious wireless signal, a group of co-eds rally to stop a terrifying evil from taking over the world.
Three kids unleash more than they bargained for from an ancient book of witches.
A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
A young photographer Thun and his girlfriend Jane discover mysterious shadows in their photographs after fleeing the scene of an accident. As they investigate the phenomenon, they find other photographs contain similar supernatural images, that Thun's best friends are being haunted as well, and Jane discovers that her boyfriend has not told her everything. It soon becomes clear that you can not escape your past.
When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.
A couple on holiday on a remote South Pacific island awaken one morning with a hang over and no recollection of what transpired. When playing back a video of the previous night, they see they participated in a local ritual that somehow ends with him murdering her.
On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.
Underworld: Endless War is a collection of three short, anime-style tie-in stories – whose creation was supervised by Len Wiseman, director of the first 2 Underworld movies and producer of Underworld 3 & 4 – each tell a different story, and at different periods of history to highlight new events of the Underworld mythology. These stories also tell of what happened before the events in Underworld: Awakening.
Having escaped years of imprisonment, vampire warrioress Selene finds herself in a changed world where humans have discovered the existence of both Vampire and Lycan clans and are conducting an all-out war to eradicate both immortal species. Now Selene must battle the humans and a frightening new breed of super Lycans to ensure the death dealers' survival.
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
When a father is forced to abruptly depart for work, he leaves his children, Aidan and Mia, at their holiday home in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace's dark past.
The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.
A doctor and nurse sneak away for a kinky encounter, only to be interrupted by a cop... with a secret of his own.
An anatomy of violence. Four young men and two young women are on a drive. There's a rivalry between two guys for one of the girls. On a remote road, the car stalls. The driver hitchhikes for help. Led by the intrepid girl, the others walk toward abandoned buildings, perhaps a mining operation. One of the three guys sits and reads. The intrepid one explores the building and sees something that scares her. She screams; the two rivals and the second girl run to find her. Something she says starts a fight between her two suitors. The one reading a book walks away in disgust. After stopping the fight, the two young women follow. How can this end?
A soundless film starts in a studio: an artist sits, a nude stands; a page burns, paper cutouts appear, images are distorted. The artist removes his eye; it falls from his hand, seeing images spin as it rolls. A man falls, objects in the studio falls on him, he's not the artist. A woman gets help from a man in a lab coat; he and the man on the floor fight over a shotgun. Outside, in the city, people and cars move backwards. On the street, those from the studio chase a woman who's stolen leeks. In the backward cityscape, they move forward. They run toward a seaside amusement park. The artist follows, his head in a bird cage. He ends up with the woman who went for help; or does he?
A man, his dog, and the regions they inhabited, each leaving his own distinctive mark on the landscape. Not even time can wash the residue of what they left behind.
Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror
Set in and around a Reno motel, the tape records George's growing friendship with a young weather expert.
Andy Warhol is a lyrical exploration of Warhol's creative process by filmmaker, painter, and actress Marie Menken. Using a hand-held camera, Menken captures Warhol and his assistants, including Gerard Malanga, as they work at the Factory. The result is an intimate portrait of the artist in the process of creating some of his most famous works, including the Brillo boxes, the Jackie series, and the Flowers silkscreens.
An austere treatise on the military-industrial complex that produces napalm.
A peeping tom caught spying on a women's self-defense class is taken captive by the class leader. At first the class uses him as a training dummy, but his treatment at the hands of the ladies steadily becomes more dangerous and humiliating.
Dreamwood narrates the oniric quest of a modern argonaut in a mysterious island located somewhere on the borders of the unconscious.
A lovely, poetic, humorous and crystal investigation of mankind standing, sitting and lying down. - John Wasserman
Short experimental film by Stephen Dwoskin.
A requiem for a Russian peasant woman, Maria Semionovna Voinova. The film is in two chapters. The first chapter consists of an impression of Maria Semionovna, scenes of the colours of summer time: hay–making, bathing in a river, work in the flax fields and a holiday in the Crimea. The second chapter, set nine years later, is in black and white and deals with how Maria Semionovna's life ended. The mood is one of a sad and elegiac narration.
Brakhage's hand carvings directly into the film emulsions are illuminated and textured by Solomon's lighting and optical printing.
A short film in which the story of a boy and a priest in Amsterdam is told. In fact, it consists of two films, one commenting on the other, concerning a young man with a crucifixion complex.
Klaassen receives a phone call, and he is happy with his transfer to head the railway line's controlling team. He accepts well his change of job, but when he meets his co-workers, uncultured and rough people, he starts having second thoughts. However, he takes it easy, recognizes that they're highly trained works, and teaches them a number of (flashback) stories of pioneers of the present steam train: the early invention by Denis Papin (1679); the three legendary land-surveyors of Caton Hill; the 1769 experiment by Nicolas-Joseph De Cugnot; the 1813 machine test of William Hedley; the 1829 developments by Robert Stephenson; and finally the grand opening of the first German steam railway line of Nürnberg-Fürth - stories in which man's will to conquer the machine was sometimes met with disaster.
A series of cameo portraits of the filmmaker's friends and lovers intercut with a playful celebration of fruits and vegetables in nature.
A few days after a massacre in a shantytown near Beirut, the director finds the children who survived. She approaches them by offering them crayons to draw. A link is created between them. They let her film their violent games: they repeat the scenes of horror they saw unfold before their eyes ...
This film was shot on Super-8 by Derek Jarman in 1977 and is considered to be the inspiration for Jubilee. Jarman often showed his films silent or with different musical accompaniment - one of Jarman's suggestions was Brahms' "Violin Concerto."