Mike Hammer's Mickey Spillane (1998)

A nurturing farmer in is danger of losing his crop of windmills when he struggles against the cyclical forces of nature.

An unknown virus has destroyed almost the entire human population. Oblivious to the true nature of the disease, the only remaining survivors escape to the sea. In great ships, they set off in search of uninhabited land. So begins the exodus, led by one man ...

Papiroflexia (Spanish for “Origami”) is the animated tale of Fred, a chubby man with a passion for paper folding, who wants to change the world with his art.

Donald is preparing a little picnic when he sees some ants passing by. He decides to tease one, ultimately by piling lots of food onto it. The ant eventually stumbles, but realizes Donald is sitting on a veritable gold mine. He rallies his fellow ants, and while Donald is napping, they cart him to a cliff and drop him into the river. When he returns to the raid in progress, he finds himself powerless to stop it. He dynamites the ant hill, but that only separates the ledge he's standing on, and he finds himself in the river again as the ants finish off a cupcake.

A prince discovers an enchanted beauty turned into a frog by Koschei the Immortal. After Koschei steals her again, the prince goes on a dangerous quest to free the land of the evil.

Lifelong friends Danny and Mark, both seventeen, struggle with the awkwardness of saying goodbye the night before Danny leaves for university in the city. Mark will stay behind to work on his father's farm, hoping someday to buy some land of his own.

I Love to Singa depicts the story of a young owl who wants to sing jazz, instead of the classical music that his German parents wish him to perform. The plot is a lighthearted tribute to Al Jolson's film The Jazz Singer.

At the Katnip Kollege, we see a roomful of cats taking a course in Swingology. Everyone swings except Johnny, who can't cut it and has to sit in the dunce chair. Miss Kitty Bright tells him to look her up when he learns how to swing. Finally, listening to the pendulum clock at night, Johnny gets the beat. He rushes out to where everyone is playing and sings "Easy As Rollin' Off a Log" to Kitty Bright. She joins in; he grabs a trumpet for an instrumental break, with the complete band. They both fall off a log; she covers him with kisses.

The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.

A family of cats find an abandoned kitten and take him in to their home. But one of the siblings becomes jealous about the attention the new cat gets from her mother and runs away from home. The new member of the family goes looking for her. Can he bring her back home safely and get her to accept him as part of the family?

In this Lone-Ranger spoof,a cleaned-up version of Pegleg Pete robs a western bank and makes his getaway, and decides to hide his loot in a tree inhabited by two chipmunks, the chattering-and-clattering Chip 'n' Dale. They resent the intrusion but really begin to give Pete a hard time when they discover a reward if posted for his capture. The cavalry arrives but Chip 'n' Dale have the situation well in hand.

When R2-D2 gets lost in space, Anakin Skywalker and his apprentice Ahsoka Tano set off on a mission to find their droid pal.

Rudolph the Red-Nosed Reindeer is a timeless family holiday classic.

A young man puts on the play "Romeo and Juliet" as a fundraiser, but has to keep a close eye on his dad, who's had several drinks too many, and a pesky cab driver who's determined to collect his fare.

Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.

A short segment of film is played with musical backing at various speeds for a jarring effect.

Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.

Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."

A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.