Squall

The hotel overlooks the city hall. The city hotel returns the glance. Glances bounce off each other, become directions and points headed towards, together, and outwards all just one frame apart in between the hotel and city hall.

Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Far in the future, a woman wakes up in an escape pod on the surface of an empty alien planet dotted with the remains of an ancient alien civilization. Faced with isolation and the threat of death from the toxic night air, she must travel across the barren landscape and find a way to send a message home. She copes with alternating emotions of hope and loneliness and encounters semblances of human presences that push and pull these feelings within her. All the while she is overshadowed by the immense monolith on the horizon, a leftover of the alien civilization that existed on the planet countless years before. Her journey transforms over time, evolving from a focus on her character in the face of impending death to a study of absence and presence, transience and endurance. Her journey towards the crash site and the giant monolith becomes a race against time as she seeks a way to leave her mark and not be forgotten.

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

A short trip on an easychair.

Serves as a simple short biography and visual art piece of the director's hometown.

"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Selfie is a short film based on daily incidents faced by every 'common man'. It interpretes whatever people have perception about us, may be by our clothes, our appearance, etc. We know who and what we are in every respect. We all must click our inner 'selfie' !

During the Great Depression, vaudeville has fallen on hard times. The Palace Theater may have to close its doors, unless the proprietor, William Jenkins, does something different, so he allows his 12-year-old son to put on a kiddie show that packs the house.

For an imaginary friend, living an imaginary life, there's nothing worse than being forgotten.

A dog. An electric collar. And plenty to bark at... Sparks will fly!

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

A young woman, Lucy, receives a message of a girl friend of hers, whom invites her for a Webchat. After a while, her friend begins to get undressed on her Webcam. Intrigued, Lucy looks and is caught at the game, in an erotic and quite disturbing atmosphere.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

Low Kok Kee is 67. He runs a print shop in Chinatown, Kuala Lumpur, Malaysia. Foto Pak Tai has been faithfully serving the photography and printing needs of the local community since the 1940's. With the advent of the digital age and a rapidly fluctuating appetite of the young and hip, Pak Tai is a business in decline.