The Black Dog (2023)
Genre : Documentary, Animation
Runtime : 14M
Director : Ximena Rodríguez
Writer : Ximena Rodríguez
Synopsis
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
In the year 2046, a powerful gang lord assembles a group of religious leaders, demanding to know what it takes to be a true messiah. Meanwhile, lying imprisoned in a garage somewhere nearby is a man who claims to be the son of God.
A psychopath can't choose who to kill, so he invents a system - free hugs.
A lonely man lives with his pet on a small island and longed to get to 'other people.'
In bed, late on a sleepless night in the depth of winter, Eujin finds a small dust kid. She decides to do the cleaning she has been putting off for so long. Cleaning every corner of her room, she keeps finding other dust kids here and there, and starts clearing them up one by one. Just when she thinks she has cleaned her room and the dust kids are all gone now, she comes face to face with another one… When I am at home alone, I sit silently and mull over many things. As I think, my brain fills with pointless worries and anxiety. That’s when I start to clean my room. As I clean busily, wash the dishes and do the laundry I’ve been putting off, my anxiety disappears naturally.
Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyokhin and Konstantin Speransky, who have been performing together since 2003. Blending classic literature references, mind-bending introspection, musings on modern love and an ironic attitude to their act, they create what faithful fans and listeners call “existential rap.” The film follows Makulatura on tour through several Russian cities.
When a charming stranger invites her to a party, a shy woman's fear of socializing turns into real terror.
This animated short by Norman McLaren is a publicity message for a war bond campaign. Symbols, a stick man and lettering are drawn directly on 35mm film stock and synchronized with a brass band rendition of Sousa's march "The Thunderer."
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.
A young woman dealing with the psychological aftermath of sexual violence shuffles between experiences both mundane and extraordinary as she attempts to leave her New York City apartment.
An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.
In 2058, two apathetic friends run the night shift in a 24-hour convenience store. Robert likes the Japanese girl who works the day shift, but in spite of encouraging signs from her, he won't - or can't - act. Instead, Robert and Steve discuss their views on life. Winner of Gold Hugo for best short film at the 2005 Chicago International Film Festival.
A categorical accumulation of abstract patterns. Lines, colours and sounds obey an impenetrable logic. A quiet film that dares to be resolutely experimental. Chaotic equations by the Chinese mathematician Wang Lin are tackled by an analogue computer, a small battery of surplus high-frequency oscillators and Joost Rekveld.
An enigmatic, existential enforcer for a small-time local crime boss does not suffer fools gladly. Unfulfilled and compromised by his life and the pointlessness that surround him, he detaches -- and methodically explores life's transitory nature in a surprising way. ICE is not a brooding film -- with flashes of humor and quirkiness -- it is a film about hope.
Two British girls in a classic brightly colored 'Mini Cooper S' car are being chased across Europe by a not so sinister organization who are after a colour 35mm roll of film that's been hidden beneath one of the Minis spot lamp covers.
When a new pupil arrives at a comprehensive school, he decides to take his video camera to film the bullies at work.
Stop motion animation using gypsum.
Starring Mike Brayden, Yvette Angulo and directed by Ryan Casselman. Birthdays can be tough. Often a reminder that our lives are moving at rapid speed, and while you may have aged a year older over night, you realize that not a whole lot else has changed. That is certainly the case with Jeff, a greeting card creative who has the 'birthday blues' and struggles to find someone to share his birthday with.
