Phantasia (2024)
A digital film after two X-ray images from the Bilbao Fine Arts Museum
Genre : Documentary, Animation, Drama, Horror
Runtime : 5M
Director : Jorge Moneo Quintana
Synopsis
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Misa is an underground idol and being filmed closely for a documentary. One day, an owner of BDSM club “H” perceives Misa’s potential and headhunts her as a dominatrix. Misa is confused at first, but when she meets the top dominatrix Kanon, she learns sexual pleasure she never knew.
In a small American town, a diabolical circus arrives, granting wishes for the townsfolk, but twisted as only the esteemed Mr. Dark can make them. Can two young boys overcome the worst the devil himself can deal out?
Imagine walking down the street and finding an unmarked VHS tape. Curiosity piqued, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair.
Two deranged friends bring along another guy to go on a random murder rampage. They kidnap lesbian lovers and couples and torture them.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.
Computer imagery dances before a techno soundtrack.
A mysterious opening in a mountain attracts the curiosity of two urban explorers, who get drawn into a game of supernatural danger.
A mockumentary about a Christan Battle of the Bands.
"Chew The Fat" (Informal) - To have a long friendly conversation with someone. In the film project 'Chew The Fat', the artist Rirkrit Tiravanija, living in New York portraits a group of 12 artists (Douglas Gordon, Angela Bulloch, Pierre Huyghe, Philippe Parreno, Dominique Gonzalez - Foerster, Elizabeth Peyton, Tobias Rehberger, Carsten Hoeller, Liam Gillick, Jorge Pardo, Andrea Zittel, Maurizio Cattelan). The artists, all chosen by Tiravanija, belong to the same generation as himself and, like him, have advanced during the nineties to achieve international success. Most importantly, all are good friends of Tiravanija. This creates a particularly relaxed situation in which conversation can flow naturally between the two with personal issues coming up as easily and often as those to do with work or career.
A Psychotherapist investigates a cult that takes over an Arizona town in 1993.
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).
The journey of a boy accepting that his lover is gone
A group of film students will shoot and broadcast a live horror show for the first time. The audience is excited. But as the broadcast starts, everything goes haywire and the show turns into a bloodbath.
A young man lands in a cut off village in the Swiss mountains and discovers a dark secret from the past, as the villagers made a pact with the devil...
There are surveillance cameras all around us in the streets, but once the dead stare into them they become "Death Cams", projecting things out of this world. In an elevator, at a convenience store and a questionable occurence at an intersection. This horror documentary is a collection of bizarre and frightening videos captured by "surveillance cameras", of which there are said to be more than 4 million all across Japan!