I Am Sono Sion! (1985)
Genre : Documentary
Runtime : 35M
Director : Sion Sono
Writer : Sion Sono
Synopsis
Sono's first film, 30 minutes long and shot on 8mm. A free-wheeling intimate cinematic journal in which the artist contemplates his life as he approaches his birthday.
Tasia (Dolores del Río), a beautiful dancer lower class of Russia, falls heir to the throne Prince, Grand Duke Eugene (Charles Farrell), but only admired from a distance. At the outbreak of the Russian Revolution, the Duke falls in captivity and this allows Tasia be near him.
A Tokyo family escaping the war relocates to a Hokkaido village; their daughter is set to marry the local leader's son, but her siblings disapprove.
Accompanied by the insistent shrilling of an alarm clock and by two love songs, a young man struggles to wake up.
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.
The men who surround and torment the young protagonist (demanding teacher, owner of the company that rapes his own daughter, despotic and uncompromising father) are opposed to women (victims of men) as embodiment of salvation.
The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.
In 2008, while developing her second film, Tan Chui Mui developed a project of shooting a short film every month. Tan Chui Mui managed to make only 7 short films which turned into "All My Failed Attempts".
Theodor Fontane's novel about a young girl who as a teenager marries a stiff bureaucrat, has a love affair out of boredom and loneliness and has to suffer the consequences years later should be well known.
The Loves of Carmen is a 1927 American silent romantic drama film directed by Raoul Walsh. The film, based on the novella Carmen by Prosper Mérimée, stars Dolores del Río in the title role, and Don Alvarado as Jose.
In his early twenties, Sam Cagnina, oldest son of a Mafia hit man, meets Steven, a handsome 19-year old college student and they fall in love. Then, after a few years Sam offers Steven a "visionary" idea. What if they could find a woman who would fall in love with both of them and agree to live in a "trio" relationship? They spend the next 7 years dating and looking for that special woman. Finally, they meet Samantha, a young, struggling actress. THREE OF HEARTS explores this very unique trio union as they negotiate their living arangements, fall in love and open one of the hottest wellness centres in New York City. Everyone who comes in contact with them is never quite sure how the relationship works. But the one thing which seems certain is their love for each other.
A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.
At the urging of his dying aunt, a young man of limited means forgoes marriage into comfortable society. He becomes husband to an unwed mother and father to a child. Their meager existence is threatened, however, when the woman he left at the altar reenters his life.
A naval adventure that focuses on the rivalry among the crew, particularly the indignation wrought by the behavior of inplacable Captain Steen. Dick, one of the sailors, is one of the most rebellious and draws up plans to exact vengeance. The opportunity arises, but an incident that may sink the ship changes the focus of attention. The lighting for the film and the composition of the scenes are regarded as the highlights of the movie.
Flip the Frog was Iwerks' first creation. He made his debut appearance in "Fiddlesticks." In this cartoon, Iwerks supplied Flip with a bow tie and buttons, but there is no mistaking that Flip is a frog. When he first appears in "Fiddlesticks," Flip hops on all fours from one lily pad to the next as he crosses a pond. And he doesn't talk. He croaks...
A circus parade, to the title tune. Next, a series of sideshow acts: the wild boy, the rubber man, siamese twin pigs, a tattooed man, a hula-dancing hippo, an Indian snake (or goat) charmer. Into the ring, we have a hippo riding a horse (much to the horse's dismay), a high-wire act (again, to the title song), and finally a lion tamer.
Nightclub singer La Paloma succumbs to the persistent courting of a chubby rich admirer and marries him. Before the marriage, she was thought to be dying, but soon she is well. She believes her husband's love has cured her, but her efforts to love him begin to fade as she discovers true love with her husband's old school friend.
Milton, a disappointed romantic, has sworn off women. He gives a lift to a female hitchhiker, whom he happily discovers is also a hurt soul and has sworn off men. Their trip together runs into interference from an aggressive driver who later reappears after the two have set up camp. He starts putting the moves on the woman, but when Milton's ex-girlfriend shows up, she gets into a fight with the interloper and gives Milton and his new pal the chance to slip away.
On Christmas Eve, a West suburb of Paris. Stéphane, Joëlle, Xavier and Sonia (25 years old) decide to take a stroll down the big park overhanging the city of their youth, musing on pop music, their work, sex and their disappointed ambitions.
Dumped by his girlfriend, Buster drives west and winds up in a ghost town called Vulture City, where he appoints himself sheriff.