The Blacksmiths (1895)

Dr. Louis Creed and his wife, Rachel, move from Boston to Ludlow, in rural Maine, with their two young children. Hidden in the woods near the new family home, Ellie, their eldest daughter, discovers a mysterious cemetery where the pets of community members are buried.

An affable underachiever finds out he's fathered 533 children through anonymous donations to a fertility clinic 20 years ago. Now he must decide whether or not to come forward when 142 of them file a lawsuit to reveal his identity.

A small group of survivors are left behind after millions of people suddenly vanish during the rapture and the world is plunged into chaos and destruction.

The title character, Nobita, is upset because he cannot get a large RC toy to show off to a rich boy, Suneo. His fit makes Doraemon angry, and with the hot Japanese summer, he decides to "cool off" at the North Pole with the Anywhere Door, a mysterious portal. Nobita follows him there after he's gone for a long time, and discovers a strange bowling ball-like orb which starts blinking with a pulsating light, and summons what looks like a giant robot´s foot. After sledding down the hill on it and having it crash into his room through the Anywhere Door, the bowling ball follows him home through the door and another robot piece falls into his backyard.

McCall believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when he meets Teri, a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by – he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.

A privileged girl and a charismatic boy's instant desire sparks a love affair made only more reckless by parents trying to keep them apart.

Several people start receiving voice-mails from their future selves -- messages which include the date, time, and some of the details of their deaths.

Carrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both classmates at her school, and her own religious, but abusive, mother.

Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

A team of American scientists investigate the empty, destroyed base of their Norwegian counterparts in Antarctica, only to discover a terrifying life force that can take the form of its prey.

Washington, D.C. psychologist Carol Bennell and her colleague Dr. Ben Driscoll are the only two people on Earth who are aware of an epidemic running rampant through the city. They discover an alien virus aboard a crashed space shuttle that transforms anyone who comes into contact with it into unfeeling drones while they sleep. Carol realizes her son holds the key to stopping the spread of the plague and she races to find him before it is too late.

A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.

On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the 'Death Race', the biggest, most brutal event.

A group of delinquents are sent to clean the Blackwell Hotel but little do they know reclusive psychopath Jacob Goodnight has holed away in the rotting hotel. When one of the teens is captured, those who remain band together to survive against the brutal killer.

This hair-raising remake of the 1979 horror hit depicts the ordeal of the Lutz clan, whose new home has a gory past and a legacy of demons. Before long, the family patriarch is plagued by nightmares and his daughter is seeing phantoms.

A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

The Baker brood moves to Chicago after patriarch Tom gets a job coaching football at Northwestern University, forcing his writer wife, Mary, and the couple's 12 children to make a major adjustment. The transition works well until work demands pull the parents away from home, leaving the kids bored -- and increasingly mischievous.

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding baby his lunch, while mum is serving tea.

A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with his bare hands.

Several little boys run along a pier, then jump into the ocean.

Down the gangway, photographers leave the deck of a riverboat in large numbers.

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.

Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

Pedestrian and various vehicles traffic on Place Bellecour, in Lyon.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB)

A man and a woman, observed by others, are playing a game of Tric-trac, a French variant of Backgammon. During the course of the game, the man gets caught red-handed, which results in him closing the game board.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.

Angelic and demonic serpentine dances from dawn of cinema. The dancer is Loie Fuller; the pioneer modern dancer. Recorded in Paris, and hand-colored frame by frame.

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.

A man and a kangaroo stand up in front of each other with boxing gloves, and simulate a boxing match on a theatre stage.

Two children, Ploetz and Larella, perform an Italian peasant dance.