A Trip to the Orphanage (2004)

Widow Paramo has lost her husband in the plague. Their daughter Dolores is considering suicide with El Muerto preparing himself to welcome her into the darkness. Paramo must triumph over Death in the boxing ring if she wishes to save both her husband and daughter.

Bold and innovative animation takes drawing into the real world.

An abstract animation by Norman McLaren, who was born in Scotland in 1914. His interest in filmmaking began early in life after he became acquainted with works by the great Russian filmmakers Eisenstein and Pudovkin and the German animator Oskar Fischinger.

A group of elementary school boys goes for a walk on the outskirts of a big city. The ominous atmosphere of fun begins when they pull in a man they met by chance.

Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide to drive to Paris. Country roads, hills, fences. The posh "chateau" appears again: meticulous garden, fancy interior, odd sculptures. And at home? "No one, NO ONE." For the next two days, masked figures play dice, frolic by the pool, perform exercises with a ball. Two new figures arrive. Masked. They search and find the dice. They dance. Mannequin hands hold a pair of dice.

In the 1936 short Allegretto, diamond and oval shapes in primary colors perform a sensual, upbeat ballet to the music of composer Ralph Rainger. The geometric dance is set against a background of expanding circles that suggest radio waves.

A tense vignette about the fate of an unlucky man in poverty-stricken Weimar-era Germany.

Through puppets and animation, a traveler tells his story of walking through Settsu, coming to the town of Ikuta. He asks if someone can show him the Seeker's Mound. Late that day, a solitary maiden says she will lead him there.

Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images.

Three fellows dream of prize money and a chance for a real Hollywood contract by winning the Liberty-Pete Smith amateur movie contest. They work on a script, as their wastebasket and ashtrays fill. They head outside to shoot: down a manhole, up a telephone pole, through a keyhole, and at night using binoculars. Next they must edit their film, then it's time for a first screening of their product, "The Afternoon of a Rubberband." It's a montage of experimental images, including a razor blade cutting various objects, a baby in a cooking pot, and a snail in the path of a steamroller. After the screening, the boys wonder if that was their only shot at Hollywood fame.

A story told with few words. We see a solitary man and a solitary woman, each alone with their thoughts. She is in the country, staring out a window. Nature is quiet, waiting for spring, trees are bare. He is in the city, walking from the docks, watching, somewhat aimless. She walks a country lane. Both are alone. She writes him a letter, offering an opportunity. Will he take it?

The film is a documentary portraying a struggle as man tries to subdue nature. To prevent flooding and for purposes of land reclamation, the people of the Netherlands struggle and succeed in building a breaker, thereby eliminating the wild inland body of water once known as the Zuider Zee (now called Ijsselmeer).

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv.

A man puts all the things from his apartment into one enormous closet and starts living there.

Ivan is released a day early from a treatment programme for alcoholics due to a doctors' strike. He returns to his wife Sonja and his sixteen year old son Robi. The first afternoon he spends at home is very pleasant. The next morning Sonja sends Ivan to a shop to get bread and milk. On the way back Ivan runs into Armando, his high school classmate, and through their conversation at a bar, Ivan finds out that long before Sonja became his wife, Armando spent a night with her. Ivan has his first drop of the hard stuff...Kruh in mleko is a bitter-sweet tale of loneliness, estrangement and the glowing embers of love, where there once used to be a fire.

"It is the story of love and of how love can be destroyed by obsession. In our lives we are subject to two contradictory drives - the drive to be good and bad, the propensity to love and to hate" -Piotr Dumala, director

A beautiful but ailing girl is married to a harsh man who doesn't care for her. Only after she dies does he realize that he actually loves her.