Chinese Laundry Scene (1894)

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

The Tramp struggles to live in modern industrial society with the help of a young homeless woman.

The Tramp gets drunk in a hotel lobby and causes some misunderstandings between Mabel and her lover.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life. Gus, a lonely and insecure grey cloud, is a master at creating "dangerous" babies. Crocodiles, porcupines, rams and more - Gus's beloved creations are works of art, but more than a handful for his loyal delivery stork partner, Peck. As Gus's creations become more and more rambunctious, Peck's job gets harder and harder. How will Peck manage to handle both his hazardous cargo and his friend's fiery temperament?

After being evicted from their old house by Tom's owner for causing major damage, cat and mouse Tom and Jerry enter a race entitled the "Fabulous Super Race" to win a mansion.

When the eternally optimistic Poppy, queen of the Trolls, learns that the Bergens no longer have any holidays on their calendar, she enlists the help of Branch and the rest of the gang on a delightfully quirky mission to fix something that the Bergens don't think is broken.

Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

When a car hits young Victor's pet dog Sparky, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them that Sparky's still the good, loyal friend he was.

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

Susan Murphy (a.k.a. Ginormica) and the Monsters are now working with the US government as special ops. So when an alien presence is detected in Susan's hometown of Modesto, California -- right before Halloween -- the team is dispatched to investigate. Everything appears normal, right down to the jack-o-lanterns peering out from every doorstep and windowsill. But when Halloween arrives, those innocent-looking carved pumpkins reveal themselves for what they really are mutant aliens. The altered pumpkins then start to implement their fiendish plan to take over Earth. The Monsters are there to combat the mutant gourds and try to smash their wicked scheme!

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

Tom is left in charge of a priceless magical ring by his young wizard master. He is then horrified when the ring gets stuck on Jerry's head, who then runs off into the city.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in his hand at the opening of the act. He then hurls the knife away and begins a rapid series of dance-like motions, executing numerous cartwheels and whirling movements.

Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its back, another cowboy stands on top of a fence rail and occasionally fires his six-shooter, to spur on both horse and rider.

An athlete demonstrating various poses.

Early Edison short showing two men fencing.

Luis Martinetti, a contortionist suspended from acrobatic flying rings, contorts himself for about thirty seconds. This is one of the first films made for Edison's kinetoscopes.

"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog

William K.L. Dickson and William Heise shake hands in this early experimental film.

A charming representation of the Mikado dance by three beautiful Japanese ladies in full costume. Very effective when colored.

A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.

Former lightweight boxer Billy Edwards, now a trainer and writer of the sport, takes on a challenger named Warwick in an exhibition match. The match is scheduled for five rounds of 20 seconds each. A large crowd has gathered behind the ring to watch the fight.

A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions.

Princess Ali, of Barnum and Bailey's circus, performs an Egyptian dance in the Edison Company's studio. As she dances, some musicians perform in the background to provide accompaniment.

A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the race is over, police officers run onto the infield. The crowd moves around.

Two gamecocks are fighting inside a wire cage, while two spectators look on in the background. The two men agree to make a bet on the outcome. One of them shows his money to the other, who is commenting on the fight.

Annabelle Dances in William K.L. Dickson's 1894 short film

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

“A scene representing Southern plantation life before the war. A jig and a breakdown by three colored boys.”

Eight circus performers known as the Grunato family perform their famous balancing act.

This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like it, Georges Demenÿ saying “Je vous aime”—was made at the request of Hector Marichelle, professor and director of the National Deaf-Mute Institute in France, who planned to use filmed speech to teach deaf students to speak and lip read. This required close views of the performer's lip movements. The project was given to Demenÿ by Étienne-Jules Marey, who headed the Station Physiologique in Paris and whose chronophotographic scientific research of motion is among the most important contributions to the invention of movies. Despite these educational and scientific beginnings, however, this project led Demenÿ to pursue and influence the commercialism of cinema.

A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.