Sobriety, Obesity & Growing Old (1991)

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.

Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.

An examination of Charles Chaplin's final starring film.

"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

This documentary is featured on the Warner Bros. Chaplin Collection DVD for "The Circus," released in 2004.

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.

A short film directed by and starring Rosette, best known for her acting work with Éric Rohmer, featuring a star-studded cast and crew of regular players from Rohmer films. With the help of her friends, Rosette takes advantage of a gullible stranger passing by in order to sell him all her roses.

A short film by Walerian Borowczyk. This first volume looks at the first three letters in Grandma's encyclopaedia: A for 'Automobile', B for 'Ballon', and C for 'Chemin de fer'.

About the work of the naive painter J. Plaskocinski. A playful tale about the requited love of a shy young man.

Animated photographs (made with Jan Lenica) with elements of animated cartoon. A display of military drill.

An oddball pair try to find their identity and place in an abstract world.

Played on a distant television screen in the dark (with some additional zooms by Lawler), 'Runaway' mainly consists of looped footage of what looks like a Fleischer or Terry cartoon, in which a group of dogs, intrigued by surrounding sounds, run to the left of the screen, and then to the right, back and forth, while a frenzied, spiraling organ score plays over the top. The scene eventually begins to warp and disintegrate. The result is equal parts mind-numbing and hypnotic.

A wall blocks the path of two people. One man submits, while the other refuses to admit defeat.