Hell of Roses (1980)
Genre : Thriller, Horror
Runtime : 1H 5M
Director : Shōgorō Nishimura
Writer : Chiho Katsura
Synopsis
A photographer named Sawamura is jealous of his former disciple Yoshida's success and decides to take revenge on Yoshida's fiance Keiko. Based on the S&M novel by Oniroku Dan.
A vampire and his son are on the prowl at a local strip club. Learning the ropes as a vampire becomes difficult when the son falls for a pretty dancer.
ErOddity(s) 2 follows the lives of several gay youths and adults as they discover a world of the odd, the erotic and the supernatural, all of it in three short films. First, a Texas teen and wanna be actor knocks them dead at "The Audition". Second, two soldiers are on a secret mission in the jungles of South America. Once captured, their last night together will reveal dark secrets and create sexual tensions that will cause wide spread collateral damage in "The Private War of Joseph Sargent". And finally, in "The Caretaker of Cook County", a cemetery worker hides his recent disfigurement under the cloak of a sinister hood. But it doesn't hide his twisted attempt to recapture the one that got away. An attempt that includes the help from young male bodies fresh from the mortuary!
Alexis Baxter marries and murders wealthy men in order to assume their fortune.
In this erotic tale of suspense, seduction, and murder, a cleaning woman finds herself working for two wives who are wealthy, idle, and ignored by their husbands. The maid persuades the two woman to kill each other's spouses and live happily ever after off the proceeds of their hubbies' valuable art collections. However, the plan does not go as expected, and the conspirators find that their own lives are in danger.
A young American in Denmark becomes embroiled in the sex lives of two local erotic dancers.
The young scion of a rich lineage should get married and give an heir to the family. But no one wants to touch his girlfriend before marriage and instead consoled with the beautiful waitress. But things get complicated and suddenly strange deaths begin to hit the family members.
A harrowing S&M roughie from erratic cult filmmaker Hisayasu Sato, this gay-themed pinku-eiga entry deals with an abused man who literally turns into an insect. Naturally, Sato borrows heavily from Franz Kafka's {-Metamorphosis} and several of his other works, but the overall effect is far more Sadean than Kafkaesque.
Unsatisfied by her boring marriage, Christine begins an affair with a seductive, mysterious stranger named Quinn. But they get carried away with their passion, when lust becomes obsession ... and murder. It seems someone wants to frame Christine who could it be?
Muraki is a failure in his job as a salesman and has to deal with his wife's disappointment and criticism at home. One day, after sleeping in a park, he happens upon two women who look like they've been victims of a sexual assault. He helps them but as night comes an increasingly twisted mindgame unfolds between the involved parties and it is no longer certain who's the victim and who's the perpetrator.
A street hooker named Hyeon-ah (Jeon Yoo-jin) is locked up topless in the pension of a man named Jeong-ho (Heo Dong-won) who saved her from her pimp's abuse and beatings. She was locked up for no reason and every time she struggles against him, he hits her. A couple visiting the pension find Hyeon-ah and the man who wanted to rape her is killed by Jeong-ho. Hyeon-ah tries to run away from him but realizes she has nowhere to go.
Eun-joo dreams of being a plastic surgery specialist while she works as a nurse. At night, she has a job as Nabi, having sex on the phone to come up with money for her dad's medical bills. La Belle's madam Big Mama pays her girls in advance and forces them to do sexual activities like body cams while she rips them off their money. At La Belle are Candy, Cherry, Eunmi and other girls with stories but have sex on the phone with men. Meanwhile, Joon-ho, Eun-joo's hospital director starts showing interest in Eun-joo who looks like his dead wife and they develop a romantic relationship. However, Eun-joo doesn't open up to him so he starts to feel disappointed. Joon-ho starts getting obssessed with her the more she pushes away from him until one day he sees her going to her night job.
In order to avenge the murder of an old friend, a recently suspended female police officer goes undercover at an illegal gambling den where the winning prize is a night with one of the female staff.
Roman Porno from 1972.
Roman Porno from 1972.
A wealthy yuppy couple find that their lives are being invaded by another, intrusive couple who are out to rip them off and terrorize them.
A sly gangster hatches a plot against his own wife, who works at a brothel-cum-bathhouse, with the help of the bathhouse owner’s wife.
THREE SLAVE WOMEN is comprised of three stories of three women, who share the same slave master. Starring the sexy up-and-coming starlet ASAMI, this film includes some of the best shibari, kinbaku and slave-master scenes ever produced in Japan. All three are in love with Kajiwara, a dominant bondage master who punishes them in intricate and graphic ways. Their separate stories cross paths at a surprising culmination of eroticism, lust and S&M play.
Sex Friend Nurezakari is the story of an old friend, Tsutomu, who pays a visit to a couple then disappears after one night. He leaves behind a mobile phone, and the couple set out to find him and return it. Along the way they meet up with another couple taping themselves having sex. The four of them continue the journey to find Tsutomu. When they arrive at his home, his parents inform them that he was killed in an accident some years previously. What happens next is both bizarre and strangely heart warming as the four friends play a baseball game with the ghost of Tsutomu and thus seal their friendships for good, as all of them discover more about themselves and each other.
Mari and Yasuo are getting "fresh" with each other at the garbage dump when Mari unveils that she knows the whereabouts of a safe holding $100,000. After some convincing, Mari gets Yasuo to help her with the robbery. What these two sexually charged criminals don't know is that Kawada, a sadistic accountant for his gang, is also after the cash, and will stop at nothing to get it. During the night of the robbery, Katsuhiro, the manager of the warehouse in which all of this takes place, checks in the office only to find his co-worker and lover Keiko all tied up by the hands of Mari. Kawada arrives soon after, and as he's about to gut Yasuo like a fish, a massive earthquake shakes the whole city, and everyone is trapped inside. Kawada takes over and maniacly ties everyone up and carries out his savage sexual fantasies.
Rachel Stone is an intelligence operative, the only woman who stands between her powerful, global, peacekeeping organization and the loss of its most valuable — and dangerous — asset.
Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.
DCP Aditya, a celebrated cop, faces his most unsettling case yet involving a mysterious serial killer who has been brutally killing his targets and leaving behind notes challenging Aditya to nab him. Teaming with Apoorva, an aspiring crime novelist, and the police force, Aditya finds himself walking on thin ice upon discovering the killer has another challenge for him: to prevent four more murders from happening or give up his medals and resign. What he is yet to find out is the killer's past and his desperation to carry out the killing spree without fail.
On the brink of losing her childhood home, Maddie discovers an intriguing job listing: wealthy helicopter parents looking for someone to “date” their introverted 19-year-old son, Percy, before he leaves for college. To her surprise, Maddie soon discovers the awkward Percy is no sure thing.