I'm Taraneh, 15 (2002)
Genre : Drama
Runtime : 1H 50M
Director : Rasoul Sadrameli
Synopsis
Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.
Dr. Charon and his group of mad scientists built a neutron bomb with trying to blackmail the free world for global power. But the hero appears, Neutron, who, with the help of Dr. Thomas and reporter Nora spoil those plans.
Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.
In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.
Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.
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The little girl had just colored her nails and the world painted her face.
Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.
A romantic drama that tells the story of dreams and ambitions for a generation of young Iranians who often find those things difficult to come by. In this unique take on a familiar theme, a young couple assume the role of a much wealthier couple in order to spend their days with Tehran’s nouveau riche. The adventure begins with playful games that take the audience on a comic ride but it ends in horror when the young couple find themselves locked up in an apartment, facing a case of mistaken identities. At once twisted, unpredictable, funny and thrilling, Tavakkoli’s film is a masterful, beautifully acted, cleverly composed exercise in building suspense.
Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who seems to be his girlfriend and is in need of some money to repair her father's car with which she has had an accident the day before. Each of the house's residents have their own fish to fry and they also want their satellites installed as soon as possible.
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Revenge may have irreversible consequences.
The film “A House On 41st Street”, tells the story of a family who are struggling with a happening and the consequences after. Something happens that results to a conflict between two brothers, following by some unpleasant incidents between the daughter-in-law and Mother of the family.
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Recently have been released from jail, Ebi makes a bet with his Friend that he goes and drinks in seven bars without even paying any money.
A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.